One of Broadway's greatest productions returns! Alan Cumming ("The Good Wife," Roundabout's The Threepenny Opera) reprises his Tony-winning performance as the Emcee in Sam Mendes (Skyfall, American Beauty) and Rob Marshall's (Nine and Chicago, the films) Tony-winning production of Cabaret. Three-time Academy Award nominee Michelle Williams (My Week with Marilyn, Brokeback Mountain) also stars, making her Broadway debut as Sally Bowles, alongside Tony nominees Danny Burstein (Follies, South Pacific) and Linda Emond (Death of a Salesman, Life (x) 3). Right this way, your table's waiting at Cabaret, John Kander, Fred Ebb and Joe Masteroff's Tony-winning musical about following your heart while the world loses its way.
Starting November 11, the Kit Kat Klub welcomes Golden Globe nominee Emma Stone (Easy A, The Help), making her Broadway debut as Sally Bowles for a limited time only.
With this 2014 'Cabaret,' audiences will come to see Fraulein Schneider and Herr Schultz, and that's the big change with Mendes and Marshall's remounting...At Studio 54, Linda Emond and Danny Burstein take the middle-aged Schneider and Schultz and turn them into mature star-crossed lovers whose hearts beat more passionately than any teenagers' ever could...Michelle Williams also begins well, as the third-rate chanteuse who will never graduate from the Kit Kat Klub...One thing is clear: This Sally will do anything to succeed, and as cookies go she's too tough to crack in the arms of any man, gay or straight...Alan Cumming is back in the role that Joel Grey made famous. Despite several returns to the Emcee, Grey always remained a nasty little imp. Cumming, on the other hand, is now giving a self-referential performance that softens the character considerably.
The riotous fun of the Kit Kat boys and girls is firmly in place, and the joy they all take in playing their instruments is infectious. We need such relief as the book scenes feel a little plodding. High quality global journalism requires investment. Williams plays Sally as a British baby doll. She sings well but not too well. She makes no Liza Minnelli-type pleas for our sympathy. Instead, Williams offers intense desperation. She holds on to the microphone stand as if aware into just what abyss she will spin if she lets go.
1966 | Broadway |
Original Broadway Production Broadway |
1967 | US Tour |
National Tour US Tour |
1968 | West End |
London Production West End |
1982 | Regional (US) |
Regional Revival Regional (US) |
1986 | West End |
London Revival West End |
1987 | Broadway |
Broadway Revival Broadway |
1993 | West End |
Donmar Warehouse Revival West End |
1998 | Broadway |
Roundabout Revival Broadway |
2006 | West End |
London Revival West End |
2008 | UK Tour |
National Tour UK Tour |
2012 | West End |
West End Revival Production West End |
2014 | Broadway |
Roundabout Revival Broadway |
2016 | US Tour |
2016 National Tour US Tour |
2021 | West End |
London Production West End |
2024 | Broadway |
Broadway Revival Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2014 | Drama Desk Awards | Outstanding Featured Actor in a Musical | Danny Burstein |
2014 | Drama League Awards | Distinguished Performance Award | Alan Cumming |
2014 | Drama League Awards | Distinguished Performance Award | Michelle Williams |
2014 | Outer Critics Circle Awards | Outstanding Actress in a Musical | Michelle Williams |
2014 | Outer Critics Circle Awards | Outstanding Featured Actor in a Musical | Danny Burstein |
2014 | Outer Critics Circle Awards | Outstanding Revival of a Musical (Broadway or Off-Broadway) | Cabaret |
2014 | Tony Awards | Best Performance by an Actor in a Featured Role in a Musical | Danny Burstein |
2014 | Tony Awards | Best Performance by an Actress in a Featured Role in a Musical | Linda Emond |
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