Amazing Grace is a new original musical based on the awe-inspiring true story behind the world's most beloved song. A captivating tale of romance, rebellion and redemption, this radiant production follows one man whose incredible journey ignited a historic wave of change.
John Newton (Tony Award nominee Josh Young), a willful and musically talented young Englishman, faces a future as uncertain as the turning tide. Coming of age as Britain sits atop an international empire of slavery, he finds himself torn between following in the footsteps of his father-a slave trader-or embracing the more compassionate views of his childhood sweetheart (Erin Mackey). Accompanied by his slave, Thomas (Tony Award winner Chuck Cooper), John embarks on a perilous voyage on the high seas. When that journey finds John in his darkest hour, a transformative moment of self-reckoning inspires a blazing anthem of hope that will finally guide him home.
With a feel-good ending, you might call 'Amazing Grace' a triumphalist view on advancement in persons and politics. Culture is a bolt that ratchets in only one direction in the play: toward greater freedom and compassion. But the musical is not just soothing and includes clear depictions of the horrors of slavery. The show opens with the audience immediately implicated as eager auctioneers at a brutal slave auction. There are several on-stage whippings of black characters by white characters. And the destruction slavery caused to black families is highlighted multiple times.
New musicals that open in the summer tend to be ill-fated, and 'Amazing Grace,' which purports to tell the 'awe-inspiring true story' (so says the news release, anyway) of John Newton (Josh Young), the British slave trader turned abolitionist who wrote the words to the 1779 hymn, is unlikely to break that rule...On the credit side, the cast is superb-especially Chuck Cooper as Newton's twice-enslaved manservant-and Gabriel Barre's sumptuous staging not infrequently creates the illusion that there's more to 'Amazing Grace' than meets the ear...Whatever its weaknesses, this is one of the best-looking musicals to reach New York in recent seasons.
2014 | Chicago |
World Premiere Production Chicago |
2015 | Broadway |
Original Broadway Production Broadway |
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