Safety Not Guaranteed - Off-Broadway Creative Team

Nick Blaemire is a writer and performer based in Brooklyn. At 23 years old, Nick wrote the score to the musical Glory Days (book by James Gardiner, OBCR on Ghostlight Records). Since its historic one night engagement on Broadway, it has had over 40 productions all over the world. He has also written book, music and lyrics for four original musicals: A Little More Alive (commissioned by Broadway Across America, produced at Williamstown Theatre Festival, Kansas City Rep and Barrington Stage, optioned as a feature film); Soon (premiered at Signature Theatre, won the Stephen Sondheim Young Artist Citation); Fallout (with ... read more ... read more Nick Blaemire is a writer and performer based in Brooklyn. At 23 years old, Nick wrote the score to the musical Glory Days (book by James Gardiner, OBCR on Ghostlight Records). Since its historic one night engagement on Broadway, it has had over 40 productions all over the world. He has also written book, music and lyrics for four original musicals: A Little More Alive (commissioned by Broadway Across America, produced at Williamstown Theatre Festival, Kansas City Rep and Barrington Stage, optioned as a feature film); Soon (premiered at Signature Theatre, won the Stephen Sondheim Young Artist Citation); Fallout (with ... read more Lee Sunday Evans is a two-time Obie Award-winning Director + Choreographer and the Artistic Director of Waterwell. With Waterwell, she directed The Courtroom, a reenactment of one woman’s deportation proceedings performed entirely from court transcripts arranged by Arian Moayed – this piece was named on The New York Times’ Best Theater of 2019 List. She also led the creation of The Flores Exhibits, a series of videos in which artists, advocates, lawyers and immigrants read testimony of children held in detention facilities at the U.S./Mexico Border. Her work has been seen at BAM, The Public Theater, Lincoln Center, Playwrights Horizons, Steppenwolf, ... read more Her selected credits include: Social! (The Armory), A Bright Room Called Day (The Public Theater); Native Son (The Acting Co); Original Sound (Cherry Lane Theater); Hatef**k (The Women’s Project); Macbeth, The Winter’s Tale, and Measure for Measure (The Classical Theatre); A Chronicle of the Death of Two Worlds (New York Theater Workshop); Fur, MUD, Prospect, and Fabuloso! (The Boundless Theater Co); Her regional credits include Seize the King (Alliance Theater Co.); Top Girls, and Her Portmaneau (A.C.T); The Royale (Arizona Theater Co); Ain’t Misbehavin’ (The Signature Theatre); Pipeline (Studio Theatre); The African School Girl Play ... read more Broadway: Oklahoma! (Tony nom., Drama Desk nom.), Honeymoon in Vegas (Drama Desk nom.), Chaplin (Drama Desk Award), The Winslow Boy, The Importance of Being Earnest, Present Laughter. Off-Broadway: Judgment Day (Park Avenue Armory), Oklahoma! (St. Ann’s), Cleopatra, One Day the Musical, The Weir, Why Torture Is Wrong…, Emergence-See!, Rainbow Kiss, Dutchman (AUDELCO Viv nom.). Regional: The Old Globe, “Heartbreak Hotel” (Chicago), ART, Williamstown, Huntington, Westport Country Playhouse, Two River Theater, McCarter Theater, Arena Stage, Long Wharf. ... read more