We Live in Cairo - Off-Broadway Creative Team

... read more ... read more ... read more ... read more ... read more Bradley King is a multiple award-winning lighting designer for theater, opera, and live performance. On Broadway, his designs for both Hadestown and Natasha, Pierre, and the Great Comet of 1812 earned Tony, Drama Desk, and Outer Critics Circle awards, as well as a Live Design Achievement of the Year. His collaborations with the Tony award-winning director Rachel Chavkin include Hadestown (The Citadel, NYTW; Drama Desk Nom.), Lempicka (Williamstown), The Royal Family (The Guthrie), Preludes (LCT3), The Fairytale Lives of Russian Girls (Yale Rep), and Uncle Vanya (CSC). In New York, his work has been seen at Roundabout Theatre Company, LCT3, Playwrights ... read more Taibi Magar (Directing) is an Egyptian-American director based in New York, and a graduate of the Brown/Trinity MFA program. Most recently she directed a new musical We Live in Cairo (A.R.T.). Other NY credits: Blue Ridge starring Marin Ireland and The Great Leap starring BD Wong (Atlantic Theatre Company); Is God Is (Soho Rep, 2018 Obie Award;) Master (The Foundry, NYT Critics Pick); Underground Railroad Game (Ars Nova, NYT Critics Pick). Regional: A.R.T., Woolly Mammoth Theatre, Alley Theatre, The Guthrie Theater, and Seattle Repertory Theatre, among others. International: Hamburg Festival, Edinburgh Festival, Malthouse Theatre (Melbourne), and Soho Theatre (London). Other: ... read more Mona Seyed-Bolorforosh is a Iranian-American Conductor, Pianist and Violinist whose work spans multiple genres including orchestral music, opera, musical theatre, film and pop. As a conductor, she has served as the Music Director of the Harry Potter Soundtrack Orchestra, Assistant Conductor of the Berklee Contemporary Symphony Orchestra, and Music Director of the project “Yo Soy Inmigrante”. As a pianist, recent credits include “Mean Girls on Broadway” (Sub, Broadway), “Heather Christian’s Oratorio for All Living Things” (Pianist, Off-Broadway), “Rodgers and Hammerstein’s Cinderella” (Keys, National Tour), and Heartbeat Opera (Pianist, Assistant Music Director). She was a 2018 recipient of the Tibor Pusztai ... read more Choreographer & Movement Director. Trained at Boston Conservatoire of Music, Harvard Summer Dance Center, and Ohio State University. Ann recently directed As You Like It for Public Works Dallas at the Dallas Theater Center and the Chichester production of Caroline or Change transfers to Broadway in April 2020. ... read more