Bradley King is a multiple award-winning lighting designer for theater, opera, and live performance.
On Broadway, his designs for both Hadestown and Natasha, Pierre, and the Great Comet of 1812 earned Tony, Drama Desk, and Outer Critics Circle awards, as well as a Live Design Achievement of the Year. His collaborations with the Tony award-winning director Rachel Chavkin include Hadestown (The Citadel, NYTW; Drama Desk Nom.), Lempicka (Williamstown), The Royal Family (The Guthrie), Preludes (LCT3), The Fairytale Lives of Russian Girls (Yale Rep), and Uncle Vanya (CSC).
In New York, his work has been seen at Roundabout Theatre Company, LCT3, Playwrights ... read more
Broadway: The Real Thing, In the Next Room, The American Plan. Recently, original music and sound for Sam Gold's Othello at NYTW. Other recent Off-Broadway work at The Signature, Playwrights Horizons, Second Stage, the Public (Lortel Nomination for Buzzer), the Roundabout Theatre Company and Lincoln Center Theater. Regional work at Berkeley Rep, Yale Rep, The Old Globe (Craig Noel Nomination for The Last Match), The Long Wharf, Arena Stage, South Coast Rep, Hartford Stage, among others. Amsterdam: The Glass Menagerie (Toneelgroep) Upcoming: John Leguizamo's Latin History for Morons at the Public. Awards: Obies for Sustained Excellence and Annie Baker's John ... read more
