NEIL AUSTIN was the recipient of the 2019 Tony Award for Ink (Friedman); the 2018 Tony, Drama Desk, and Outer Critics Circle Awards for Harry Potter and the Cursed Child (Lyric); and the 2010 Tony and Drama Desk Awards for Red (Golden). He was also awarded the 2017 and 2011 Olivier Awards for Harry Potter and the Cursed Child (Palace, West End) and The White Guard (National, London). His Broadway credits include Ink, Travesties, Hughie, Cat on a Hot Tin Roof, Evita, Red, Hamlet, The Seafarer and Frost/Nixon. Other work in the U.S. includes Harry Potter and the Cursed Child ... read more
Adam Cork writes mainly for the stage, creating integrated music/sound scores embracing instrumental music, electronic music, sound design and song. His musical London Road (NT) won the 2011 Critics’ Circle Award for Best Musical. A film version was released in 2015.
His other scores and sound designs include King Lear (Donmar Warehouse, Olivier Award 2011), Anna Christie (Evening Standard Award 2011), Red (Donmar Warehouse/Broadway, Tony Award 2010), Travesties (Tony nomination 2018 Best Sound), Enron (Tony nominations 2010 Best Score, Best Sound), Macbeth (Tony nomination 2008), Frost/Nixon (Broadway 2007). ... read more
Tim has designed extensively for the National Theatre, West End and Broadway.
Recent credits include: Dreamgirls (Savoy Theatre); Travesties (Menier Chocolate Factory, West End, Broadway); Ghosts (Almeida, West End, BAM); Little Eyolf (Almeida); Temple (Donmar); Enemy of the People, Pyjama Game (Chichester Festival Theatre); Mr. Foote’s Other Leg (Hampstead, West End); The Bodyguard (West End, UK Tour, US Tour, Cologne, Korea); Shrek (West End, Broadway, UK Tour, US Tour); Spamalot (West End, Broadway, US Tour, Las Vegas); Singin’ in the Rain, My Fair Lady (Chatelet Paris) and Carmen (Royal Ballet).
Film credits include: Closer, Notes on a Scandal and Stage Beauty.
Tim is ... read more
