Chavkin is a director, writer and artistic director of the TEAM. Hadestown (NYTW, National Theatre, London) has been one of her greatest joys. Tony and Lortel nominations and Drama Desk Award for Dave Malloy's Natasha, Pierre & The Great Comet of 1812 (Broadway, Ars Nova, A.R.T.). London: Mission Drift (National Theatre), American Clock (Old Vic). Select New York and regional: Marco Ramirez’s The Royale (LCT; Obie Award, Drama Desk and Lortel noms.), Malloy’s Preludes (LCT3), Bess Wohl’s Small Mouth Sounds (Ars Nova and national tour) and Continuity (MTC), Carson Kreitzer’s and Matt Gould’s Lempicka (Williamstown Theatre Festival), The Royal Family ... read more
Credits: The Royale (Lincoln Center Theater, Old Globe); Indecent (La Jolla Playhouse, Yale Rep, Vineyard); Natasha, Pierre and the Great Comet of 1812 (ART, Ars Nova, Kazino); Time and the Conways (Old Globe); Stage Kiss, 100 Saints You Should Know (Playwrights Horizons); Marie Antoinette (ART, Yale Rep, SoHo Rep); Three Pianos (NYTW, ART); The Human Scale (The Public); Telephone (Foundry Theatre); How We Got On, Death Tax, A Devil at Noon (Humana Festival); Hammock and Blueprints of Relentless Nature (Liz Lerman Dance Exchange). As a company member of The TEAM, Matt has designed Roosevelvis, The Holler Sessions, Waiting for You ... read more
Bradley King is a multiple award-winning lighting designer for theater, opera, and live performance.
On Broadway, his designs for both Hadestown and Natasha, Pierre, and the Great Comet of 1812 earned Tony, Drama Desk, and Outer Critics Circle awards, as well as a Live Design Achievement of the Year. His collaborations with the Tony award-winning director Rachel Chavkin include Hadestown (The Citadel, NYTW; Drama Desk Nom.), Lempicka (Williamstown), The Royal Family (The Guthrie), Preludes (LCT3), The Fairytale Lives of Russian Girls (Yale Rep), and Uncle Vanya (CSC).
In New York, his work has been seen at Roundabout Theatre Company, LCT3, Playwrights ... read more
Mimi Lien is a designer of sets/environments for theater, dance, and opera. Arriving at set design from a background in architecture, her work often focuses on the interaction between audience/environment and object/performer. She is an artistic associate with Pig Iron Theatre Company, and co-founder of JACK, a performance/art space in Brooklyn. Recent work includes Signature Plays, John (Signature Theatre), War, Preludes (LCT3), The Oldest Boy (Lincoln Center), Black Mountain Songs (BAM/Brooklyn Youth Chorus), Appropriate (Mark Taper Forum), and An Octoroon (Soho Rep/TFANA). Mimi's designs for dance have been presented in the Netherlands, Russia, and Taiwan, and her stage designs have ... read more
Dave Malloy is a composer/sound designer/performer, winner of a 2009 Jonathan Larson Grant and a recipient of the 2009-11 NEA/TCG Career Development Program for Theatre Designers. His most recent large-scale work, Beowulf – A Thousand Years of Baggage, a Banana Bag & Bodice SongPlay commissioned by Berkeley's Shotgun Players featuring dueling trombones and 40's vocal jazz harmonies, enjoyed sold out runs in Berkeley and NYC, received the 2008 Glickman Award and appeared on the Best of 2008 lists of every major Bay Area paper (including two #1 spots). ... read more
Or Matias is an Obie award-winning composer, lyricist, music director, and orchestrator based in NYC. This season, Or was the music supervisor and arranger for the Broadway show Grey House, dir. by Joe Mantello. Or was the music supervisor and co-orchestrator of Love Around the Block, the immersive theatrical extravaganza commissioned by Hermès to celebrate the launch of their new Madison Avenue flagship store. Or has worked extensively with Josh Groban, The Trans-Siberian Orchestra, Ingrid Michaelson, Phillipa Soo, Dave Malloy, Rachel Chavkin, and countless others. Or was the music director and conductor for the hit Broadway musical Natasha, Pierre, and ... read more
Broadway: Fiddler on the Roof, Rent, Who's Afraid of Virginia Woolf?, Elf. National Tours: The Drowsy Chaperone, La Cage Aux Folles, 9 to 5. Off-Broadway: Natasha, Pierre & the Great Comet of 1812 (Kazino & A.R.T.) The Royale (Lincoln Center), Preludes (LCT3), Almost, Maine, (Daryl Roth Theatre), Summer of '42, (Variety Arts), Iphigenia in Aulis, Naked, Hurricane, The Misanthrope (Classic Stage Company), The Day Emily Married, Barefoot Boy With Shoes On (Primary Stages), What Didn't Happen (Playwright's Horizons), The Dying Gaul (Vineyard Theatre) and many others. Regional: Pittsburgh Civic Light Opera, Dallas Summer Musicals, TUTS, TOTS, Pantages Theatre, Starlight Theatre, ... read more
