Mimi Lien is a designer of sets/environments for theater, dance, and opera. Arriving at set design from a background in architecture, her work often focuses on the interaction between audience/environment and object/performer. She is an artistic associate with Pig Iron Theatre Company, and co-founder of JACK, a performance/art space in Brooklyn. Recent work includes Signature Plays, John (Signature Theatre), War, Preludes (LCT3), The Oldest Boy (Lincoln Center), Black Mountain Songs (BAM/Brooklyn Youth Chorus), Appropriate (Mark Taper Forum), and An Octoroon (Soho Rep/TFANA). Mimi's designs for dance have been presented in the Netherlands, Russia, and Taiwan, and her stage designs have ... read more
Broadway: Oh, Hello; If/Then; Vanya and Sonia and Masha and Spike; Bloody Bloody Andrew Jackson. Recent Off-Broadway: Indecent (Vineyard Theatre), Dear Evan Hansen, The Way We Get By (Second Stage), The Robber Bridegroom (Roundabout Theatre), The Tempest, Into The Woods (Shakespeare in the Park), Pretty Filthy (The Civilians), Our Lady of Kibeho (Signature), and Yardbird (Apollo Theater). Recent Regional Theater and Opera: Don Giovanni (Santa Fe Opera), La Boheme (Opera Theater of Saint Louis), Another Word For Beauty (The Goodman Theater), and Othello (Shakespeare DC). In New York her additional designs have been seen at Playwrights Horizons, Second Stage, Lincoln ... read more
