Jonathan Deans (Sound Designer) His work spans from the Royal Opera House, Covent Garden to The Beatles 'LOVE' and Michael Jackson’s 'ONE' in Las Vegas. His Broadway credits include Pippin (Tony Nomination) Priscilla Queen of the Desert, Spider-Man: Turn Off the Dark, La Cage aux Folles (Tony and Drama Desk Nomination),Young Frankenstein, The Pirate Queen, Lestat, Taboo, Follies, Seussical, The Music Man, Fosse, Parade, Candide and Ragtime (A number of different awards). He designed the Off-Broadway revival of Carrie (Drama Desk Nomination). His work with Cirque du Soleil includes ONE, LOVE, KA, Believe, Zumanity, O, Mystere, La Nouba, Wintuk, Ovo, ... read more
Diane Paulus is the Artistic Director of the A.R.T., where her directing credits include: Prometheus Bound, Death and the Powers: The Robots' Opera (premiered in Monaco in September 2010), Johnny Baseball, Best of Both Worlds and The Donkey Show, a disco adaptation of A Midsummer Night's Dream, which ran for six years Off-Broadway.
Her recent theater credits include The Public Theater's revival of Hair on Broadway (2009 Tony Award winner for Best Revival of a Musical, nominated for eight Tony Awards including Best Director, as well as winner of a Drama Desk Award, Outer Critics Circle Award and Drama League ... read more
Kenneth Posner designs extensively on Broadway, off-Broadway, for resident theatres, and touring productions throughout the United States as well as internationally.
Some of his Broadway work includes Pretty Woman, Mean Girls, War Paint, Tuck Everlasting, On Your Feet, If/Then, Kinky Boots, Pippin, Cinderella, Hairspray, Dirty Rotten Scoundrels, Legally Blonde, The Coast of Utopia-Shipwrecked, and Wicked.
He is the recipient of the Tony, Drama Desk, Outer Critics’ Circle and OBIE Awards. ... read more
Stephen Schwartz was born in New York City on March 6, 1948. He studied piano and composition at the Juilliard School of Music while in high school and graduated from Carnegie Mellon University in 1968 with a B.F.A. in Drama. Upon coming back to live in New York City, he went to work as an A&R producer for RCA Records, but shortly thereafter began to work in the Broadway theatre. His first major credit was the title song for the play BUTTERFLIES ARE FREE; the song was eventually used in the movie version as well.
In 1971, he wrote the music ... read more
