And a Nightingale Sang... - Off-Broadway Creative Team

Jess received the 2005 Tony Award for Lincoln Center's The Rivals. Other selected New York credits include Julius Caesar with Denzel Washington, Henry IV; Take Me Out; Enchanted April; Proof; Love! Valour! Compassion! ; The Most Happy Fella; Dinner With Friends; How I Learned To Drive; NYSF's Much Ado About Nothing; Buried Child and The Mineola Twins (Lortel and Hewes Awards). He will make his Met debut with Jack O'Brien's 2007 production of Il Trittico. Designs for film include A Walk On The Moon; Love! Valour! Compassion! and The Substance Of Fire. He is an Associate Professor at the ... read more David Jenkins is an artist and theater-maker based in Brooklyn. He is a proud founding member of Broken Box Mime Theater, and has been continuously active with the company since 2011. Also a founding member of Rag and Bone Theater Co., and a regular collaborator for Amios Theater's monthly Shotz series, David has been highly active in the NYC indie theater community since 2007. ... read more Terry is a co-founder of Steppenwolf Theatre Company. His directing credits there include East of Eden, The Violet Hour, A Streetcar Named Desire, A Clockwork Orange, Of Mice and Men, and One Flew Over The Cuckoo's Nest, which moved to Broadway and won a Tony Award for Best Revival of a Play. NYC directing credits include the world premiere of Checkers by Doug McGrath, reasons to be pretty for MCC and Broadway (which received a Tony nomination for Best Play), After Ashley and Beautiful Child at the Vineyard Theatre, The Money Shot at MCC, among others. Mr. Kinney's film directing ... read more Martin Markinson, one of the leading Broadway producers and independent theatre owners of the past 50 years, died on Thursday, January 7th at his home in Santa Fe, New Mexico surrounded by love. He was 89 years old. Arlena Markinson, his wife of 58 years who was with him when he died, confirmed that he succumbed to a long battle with cancer that spread through his body over the last two years. As the Broadway industry became more corporate towards the end of the last century with productions and theatres operated by conglomerates and large not-for-profit organizations, Martin "Marty" Markinson maintained and ... read more