One Shoe Off - Off-Broadway Creative Team

Broadway (Composition and/or Sound Design): Driving Miss Daisy, A Steady Rain, The Coast of Utopia (2007 Drama Desk Award: Outstanding Music for a Play, Henry Hewes Award: Outstanding Sound Design), Who's Afraid of Virginia Woolf?, Henry IV, Golda's Balcony, The Goat, Lily Tomlin's "The Search...", The Lion in Winter, A View From the Bridge among others. BAM/OLD VIC: Original scores for all productions of The Bridge Project 2009-2012 including Richard III (Sam Mendes, dir.); Off-Broadway: An Illiad, Valhalla, Mad Forest, My Children! My Africa! (NYTW), Scores for eight Shakespeare productions for The Joseph Papp Public Theater. Other ... read more Gregory Fletcher is a graduate of California State University at Northridge with a BA in Theater, of Boston University with a MA in Playwriting, and of Columbia University with an MFA in Directing. He works as a freelance AEA stage-manager, playwright, author, and director. As a stage manager, he has worked on over a dozen Off-Broadway productions, a half-dozen regional theater productions, and the national tour of Edward Albee's Three Tall Women. As a director, he's directed over a dozen Off-Off-Broadway productions, plus several university productions. As a playwright, Fletcher has had a dozen Off-Off Broadway productions, including Edenville, My Sister ... read more Susan Hilferty has designed set and costumes for over 400 productions across the globe. Recent designs include Parade (Broadway; Tony nomination), Funny Girl (Broadway), Swept Away (Berkeley Rep and Arena Stage), Hamlet (St. Anne’s Warehouse NY and Gate Theatre, Dublin), Waiting for Godot TFNA/NYC, Richard Nelson’s What Happened?: The Michaels Abroad (Loewe Theatre, NYC), and A Bright Room Called Day (Public Theatre). Her many Broadway designs include Wicked (Tony, Outer Critics Circle, and Drama Desk awards and Olivier nomination), August Wilson’s Radio Golf. Present Laughter (Tony nomination), Hands on a Hardbody, Spring Awakening (Tony nomination), Lestat (Tony nomination), Annie (2013 ... read more Rothman co-founded Second Stage in 1979 with the goal to create an open, creative space that served to introduce the community to new, emerging talent and to produce new plays by living American Playwrights. Over the past 45 years, Rothman has produced more than 250 inspiring plays and musicals, introducing the world to bold and diverse voices. Her taste as an artistic director, which the New York Times once called, “eclectic and unpredictable,” has resulted in a wide range of premieres and new interpretations of some of America’s best contemporary theater, as well as catapulted shows to hundreds of productions ... read more