Susan Hilferty has designed set and costumes for over 400 productions across the globe. Recent designs include Parade (Broadway; Tony nomination), Funny Girl (Broadway), Swept Away (Berkeley Rep and Arena Stage), Hamlet (St. Anne’s Warehouse NY and Gate Theatre, Dublin), Waiting for Godot TFNA/NYC, Richard Nelson’s What Happened?: The Michaels Abroad (Loewe Theatre, NYC), and A Bright Room Called Day (Public Theatre). Her many Broadway designs include Wicked (Tony, Outer Critics Circle, and Drama Desk awards and Olivier nomination), August Wilson’s Radio Golf. Present Laughter (Tony nomination), Hands on a Hardbody, Spring Awakening (Tony nomination), Lestat (Tony nomination), Annie (2013 ... read more
Tony Kushner's other plays include A Bright Room Called Day; Angels In America, Parts One and Two; Slavs!; Homebody/Kabul and Caroline, or Change. His adaptations include Corneille's The Illusion, S.Y. Ansky's The Dybbuk, and Brecht's The Good Person of Sezuan and Mother Courage and Her Children (Public Theater). Kushner’s films include Angels In America, directed by Mike Nichols and Munich, directed by Steven Spielberg. His books include Brundibar, illustrations by Maurice Sendak; The Art of Maurice Sendak, 1980 to the Present; and Wrestling With Zion: Progressive Jewish-American Responses to the Palestinian/Israeli Conflict (co-edited with Alisa Solomon). Kushner has received the ... read more
THE PUBLIC is theater of, by, and for all people. Artist-driven, radically inclusive, and fundamentally democratic, The Public continues the work of its visionary founder Joe Papp as a civic institution engaging, both on-stage and off, with some of the most important ideas and social issues of today. Conceived over 60 years ago as one of the nation's first nonprofit theaters, The Public has long operated on the principles that theater is an essential cultural force and that art and culture belong to everyone. Under the leadership of Artistic Director Oskar Eustis and Executive Director Patrick Willingham, The Public's wide ... read more
Theatre directing credits include The Iceman Cometh, Shuffle Along, or the Making of the Musical Sensation of 1921 and All That Followed (NY Drama Critics' Circle Award and Drama Desk Award for Best Musical); Lucky Guy; The Normal Heart (Drama Desk); Jelly's Last Jam (Drama Desk and Outer Critics Circle Award); Angels in America: Millennium Approaches (Tony Award and Drama Desk) and Perestroika (Drama Desk); Bring in 'da Noise, Bring in 'da Funk (Tony and Drama League Award); Topdog/Underdog (Obie Award); Twilight: Los Angeles, 1992 (Drama Desk); Elaine Stritch at Liberty (Tony for Special Theatrical Event); The Tempest; Caroline, or ... read more
LCT: Oslo, The King and I (Tony, Outer Critics Circle nominations), Golden Boy (Tony nom.), Blood and Gifts, Women on the Verge of a Nervous Breakdown, Joe Turner's Come and Gone (Tony nom.), South Pacific (Tony, Drama Desk awards; OCC nom.), Cymbeline, Awake and Sing! (DD Award; Tony nom.), Edward Albee's Seascape, The Light in the Piazza (Tony, DD awards). Broadway: The Ritz, Bad Habits, A Lesson from Aloes, The Road to Mecca (Roundabout), The Bridges of Madison County, Fiddler on the Roof. Also credits Off-Broadway, in regional theater, London, ten productions at the Metropolitan Opera and work at major ... read more
