Broadway (Composition and/or Sound Design): Driving Miss Daisy, A Steady Rain, The Coast of Utopia (2007 Drama Desk Award: Outstanding Music for a Play, Henry Hewes Award: Outstanding Sound Design), Who's Afraid of Virginia Woolf?, Henry IV, Golda's Balcony, The Goat, Lily Tomlin's "The Search...", The Lion in Winter, A View From the Bridge among others. BAM/OLD VIC: Original scores for all productions of The Bridge Project 2009-2012 including Richard III (Sam Mendes, dir.); Off-Broadway: An Illiad, Valhalla, Mad Forest, My Children! My Africa! (NYTW), Scores for eight Shakespeare productions for The Joseph Papp Public Theater. Other ... read more
Caid is a freelance director and writer working in theatre, opera and musical theatre, an Honorary Associate Director of the Royal Shakespeare Company, Principal Guest Director of the Royal Dramatic Theatre, Stockholm (Dramaten) and author of Theatre Craft, published by Faber and Faber.
Recent work in England includes: Macbeth (Almeida) and Hamlet (NT), both with Simon Russell Beale. In Stockholm his production of Strindberg’s Dance of Death is currently running at the Royal Dramatic Theatre, and in Japan he has just directed A Midsummer Night’s Dream at the New National Theatre and his own adaptation of Teru Miyamoto’s novel Kinshu at ... read more
Roth is a Carnegie Mellon graduate who began her career as a scenery painter for the Pittsburgh Opera. She intended to remain in the field of production design until she met Irene Sharaff at the Bucks County Playhouse. Sharaff invited her to California to assist her with costumes on the film Brigadoon and suggested Roth apprentice with her for five films and five Broadway productions before setting out on her own.
Roth's first Hollywood film was 1964's The World of Henry Orient, where her designs included "monogrammed handmade yellow silk pajamas" for glamorous womanizer Peter Sellers.
Roth next designed costumes for ... read more
Rothman co-founded Second Stage in 1979 with the goal to create an open, creative space that served to introduce the community to new, emerging talent and to produce new plays by living American Playwrights. Over the past 45 years, Rothman has produced more than 250 inspiring plays and musicals, introducing the world to bold and diverse voices. Her taste as an artistic director, which the New York Times once called, “eclectic and unpredictable,” has resulted in a wide range of premieres and new interpretations of some of America’s best contemporary theater, as well as catapulted shows to hundreds of productions ... read more
