STEVEN BARGONETTI: (Guitarist/Composer) Steven is a graduate of Columbia University. Most recently was onstage performer/Music Director/Arranger for the critically acclaimed play, Father Comes Home From The Wars by Pulitzer Prize winner Suzan-Lori Parks. He recently played guitar/guitar synthesizer for the Broadway show Holler if Ya Hear Me featuring the music of Tupac Shakur. As lead guitarist for HAIR on Broadway, Steven was featured playing the Jimi Hendrix archetype. He is also an alumnus of numerous other Broadway shows, including The Color Purple, Caroline or Change, The Full Monty, Starlight Express, Hello Dolly, etc. Steven can be ... read more
Landau's early work included site specific productions with New York City's En Garde Arts, including Orestes and The Trojan Women: A Love Story, both by Charles L. Mee, as well as her original play "Stonewall: Night Variations." Floyd Collins, with a book by Landau and a score by Adam Guettel, opened off-Broadway at Playwrights Horizons in 1996. Landau was nominated for the Drama Desk Award for Outstanding Book of a Musical and the Drama Desk Award for Outstanding Director of a Musical, and the production won the Lucille Lortel Award for Best Musical. A later version of the show played ... read more
Donald John Sebesky was an American composer, arranger, conductor, and jazz trombonist. He was a multi-instrumentalist and could play a number of other instruments: keyboards, electric piano, organ, accordion, and clavinet. ... read more
LCT: The King and I, South Pacific, The Light in the Piazza (Tony, Drama Desk awards), A Man of No Importance, A New Brain, My Favorite Year. Broadway: Fiddler on the Roof, Guys and Dolls, Dirty Rotten Scoundrels, The Full Monty, Titanic (actor), Kiss of the Spider Woman, How to Succeed in Business Without Really Trying, Drood, Sunday in the Park with George. Off- Broadway: Red Eye of Love, The Other Josh Cohen, Striking 12, See What I Wanna See (director); Saturn Returns, Floyd Collins, Romance in Hard Times (music director). Artistic director, MasterVoices; principal conductor, Westchester Philharmonic; creative director ... read more
THE PUBLIC is theater of, by, and for all people. Artist-driven, radically inclusive, and fundamentally democratic, The Public continues the work of its visionary founder Joe Papp as a civic institution engaging, both on-stage and off, with some of the most important ideas and social issues of today. Conceived over 60 years ago as one of the nation's first nonprofit theaters, The Public has long operated on the principles that theater is an essential cultural force and that art and culture belong to everyone. Under the leadership of Artistic Director Oskar Eustis and Executive Director Patrick Willingham, The Public's wide ... read more
Theatre directing credits include The Iceman Cometh, Shuffle Along, or the Making of the Musical Sensation of 1921 and All That Followed (NY Drama Critics' Circle Award and Drama Desk Award for Best Musical); Lucky Guy; The Normal Heart (Drama Desk); Jelly's Last Jam (Drama Desk and Outer Critics Circle Award); Angels in America: Millennium Approaches (Tony Award and Drama Desk) and Perestroika (Drama Desk); Bring in 'da Noise, Bring in 'da Funk (Tony and Drama League Award); Topdog/Underdog (Obie Award); Twilight: Los Angeles, 1992 (Drama Desk); Elaine Stritch at Liberty (Tony for Special Theatrical Event); The Tempest; Caroline, or ... read more
