David Gallo has designed over 30 Broadway production, including Memphis, First Date, The Drowsy Chaperone (Tony Award for Best Scenic Design), The Mountaintop, Reasons to Be Pretty, Xanadu, Company, and Thoroughly Modern Millie. Working with August Wilson from 1996 until his death, David designed the premire productions of Wilson's later works, including King Hedley II, Jitney, Gem of the Ocean, and Radio Golf, the latter two of with each garnered him Tony nominations. Other awards: Drama Desk, Lucille Lortel, Ovation, Obie, LA Drama Critics, Outer Critics Circle, NAACP. ... read more
Donald Holder has worked extensively in Theatre, Opera, Dance, Architectural and Television lighting in the US and abroad for over 30 years. He has designed 58 Broadway productions and has been nominated for 13 Tony Awards, winning the Tony for Best Lighting Design for The Lion King in 1998, and for the 2008 revival of South Pacific. Recent Broadway productions include: Tootsie, Kiss Me Kate, Anastasia, Oslo, Straight White Men, She Loves Me, Fiddler on the Roof, The King and I, On the Twentieth Century, The Bridges of Madison County, Bullets Over Broadway and many others. Projects at the NY ... read more
Broadway: Tony nominations for Noises Off, Machinal and The Constant Wife; plus Charlie Brown, Twelve Angry Men, Heisenberg, new plays by Joe di Pietro, Stephen Belber, Nicky Silver and Elaine May; and the current What the Constitution Means to Me. Off-Broadway: Premieres by Edward Albee, Christopher Durang, John Guare, Teresa Rebeck, Sarah Treem, John Kander/Greg Pierce, Will Eno, Lauren Yee, Lisa Loom-er, Donald Marguilies, and many more. He teaches in the graduate program at Brown University. ... read more
Rothman co-founded Second Stage in 1979 with the goal to create an open, creative space that served to introduce the community to new, emerging talent and to produce new plays by living American Playwrights. Over the past 45 years, Rothman has produced more than 250 inspiring plays and musicals, introducing the world to bold and diverse voices. Her taste as an artistic director, which the New York Times once called, “eclectic and unpredictable,” has resulted in a wide range of premieres and new interpretations of some of America’s best contemporary theater, as well as catapulted shows to hundreds of productions ... read more
