Dogeaters - Off-Broadway Creative Team

Broadway (Composition and/or Sound Design): Driving Miss Daisy, A Steady Rain, The Coast of Utopia (2007 Drama Desk Award: Outstanding Music for a Play, Henry Hewes Award: Outstanding Sound Design), Who's Afraid of Virginia Woolf?, Henry IV, Golda's Balcony, The Goat, Lily Tomlin's "The Search...", The Lion in Winter, A View From the Bridge among others. BAM/OLD VIC: Original scores for all productions of The Bridge Project 2009-2012 including Richard III (Sam Mendes, dir.); Off-Broadway: An Illiad, Valhalla, Mad Forest, My Children! My Africa! (NYTW), Scores for eight Shakespeare productions for The Joseph Papp Public Theater. Other ... read more David Gallo has designed over 30 Broadway production, including Memphis, First Date, The Drowsy Chaperone (Tony Award for Best Scenic Design), The Mountaintop, Reasons to Be Pretty, Xanadu, Company, and Thoroughly Modern Millie. Working with August Wilson from 1996 until his death, David designed the premire productions of Wilson's later works, including King Hedley II, Jitney, Gem of the Ocean, and Radio Golf, the latter two of with each garnered him Tony nominations. Other awards: Drama Desk, Lucille Lortel, Ovation, Obie, LA Drama Critics, Outer Critics Circle, NAACP. ... read more Greif attended Northwestern University and graduated from the University of California, San Diego graduate directing program. He was the Artistic Director of the La Jolla Playhouse, LaJolla, California from 1994 to 1999. He was an Artistic Associate at the New York Theatre Workshop where he directed, among others, Bright Lights, Big City (1998–99) and the original production of Rent for which he received the Obie Award for direction of a musical and which he later directed on Broadway. Greif has directed several original Broadway musicals and been nominated for the Tony Award for Best Direction of a Musical four times. In addition ... read more THE PUBLIC is theater of, by, and for all people. Artist-driven, radically inclusive, and fundamentally democratic, The Public continues the work of its visionary founder Joe Papp as a civic institution engaging, both on-stage and off, with some of the most important ideas and social issues of today. Conceived over 60 years ago as one of the nation's first nonprofit theaters, The Public has long operated on the principles that theater is an essential cultural force and that art and culture belong to everyone. Under the leadership of Artistic Director Oskar Eustis and Executive Director Patrick Willingham, The Public's wide ... read more Theatre directing credits include The Iceman Cometh, Shuffle Along, or the Making of the Musical Sensation of 1921 and All That Followed (NY Drama Critics' Circle Award and Drama Desk Award for Best Musical); Lucky Guy; The Normal Heart (Drama Desk); Jelly's Last Jam (Drama Desk and Outer Critics Circle Award); Angels in America: Millennium Approaches (Tony Award and Drama Desk) and Perestroika (Drama Desk); Bring in 'da Noise, Bring in 'da Funk (Tony and Drama League Award); Topdog/Underdog (Obie Award); Twilight: Los Angeles, 1992 (Drama Desk); Elaine Stritch at Liberty (Tony for Special Theatrical Event); The Tempest; Caroline, or ... read more