Vineyard, La Jolla Playhouse and Yale Rep productions of Indecent. Broadway: The Gin Game; The Gershwins' Porgy and Bess; The People in the Picture; Caroline, or Change (also Royal National Theater, London); Elaine Stritch: At Liberty (also National Tour, Old Vic London); Topdog/Underdog (Royal Court); Bells Are Ringing; Parade (directed by Hal Prince; Tony and Drama Desk nominations); Bring in 'da Noise, Bring in 'da Funk (also National Tour, Japan) and The Tempest. Recent: Grounded directed by Julie Taymor, The Library directed by Steven Soderbergh (The Public); La Mouette (Cour d'Honneur, Palais des Papes, Avignon Festival); Abigail's Party (Oslo National ... read more
Broadway: Falsettos; American Psycho; The Visit; A Gentleman's Guide to Love & Murder; Sondheim on Sondheim; A Little Night Music; Gypsy (with Patti LuPone); Radio Golf; John Doyle's production of Sweeney Todd; Gem of the Ocean; Pacific Overtures; Assassins; Into the Woods; Topdog/Underdog; Dirty Blonde; Bring in 'da Noise, Bring in 'da Funk. He has composed scores for the Broadway productions of The Merchant of Venice, Julius Caesar, The Tempest, and Dan Hurlin's Disfarmer (St. Ann's Warehouse). Awards: four Tony Award nominations, four Drama Desk Awards.
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EMILIO SOSA hails from Santo Domingo, Dominican Republic and has been working as a costume designer for years. He realized his passion for design when he was merely 14 years old, continuing to work towards that goal until he achieved it. A fan of Charles James, he’s had plenty of experience in the world of fashion and has even won several awards. Emilio Sosa has received TDF/Irene Sharaff Young Master Award in 2006 and was named Design Virtuoso by American Theater Magazine in 2003. He admits that he’s been inspired by historical events, which he incorporates into his design aesthetic. ... read more
THE PUBLIC is theater of, by, and for all people. Artist-driven, radically inclusive, and fundamentally democratic, The Public continues the work of its visionary founder Joe Papp as a civic institution engaging, both on-stage and off, with some of the most important ideas and social issues of today. Conceived over 60 years ago as one of the nation's first nonprofit theaters, The Public has long operated on the principles that theater is an essential cultural force and that art and culture belong to everyone. Under the leadership of Artistic Director Oskar Eustis and Executive Director Patrick Willingham, The Public's wide ... read more
Theatre directing credits include The Iceman Cometh, Shuffle Along, or the Making of the Musical Sensation of 1921 and All That Followed (NY Drama Critics' Circle Award and Drama Desk Award for Best Musical); Lucky Guy; The Normal Heart (Drama Desk); Jelly's Last Jam (Drama Desk and Outer Critics Circle Award); Angels in America: Millennium Approaches (Tony Award and Drama Desk) and Perestroika (Drama Desk); Bring in 'da Noise, Bring in 'da Funk (Tony and Drama League Award); Topdog/Underdog (Obie Award); Twilight: Los Angeles, 1992 (Drama Desk); Elaine Stritch at Liberty (Tony for Special Theatrical Event); The Tempest; Caroline, or ... read more
