Working - Broadway Creative Team

Susan Birkenhead is an American lyricist. Birkenhead made her Broadway debut as one of a team of songwriters contributing to Working (1978), for which she received her first Tony Award nomination. Her second was earned for Jelly's Last Jam (1992), which won her the Drama Desk Award for Outstanding Lyrics and a Grammy Award nomination. Additional Broadway credits include Triumph of Love (Drama Desk nomination) and additional lyrics for the Cole Porter tunes in the 1998 revival of High Society. Birkenhead's Off-Broadway and regional theatre credits include What About Luv?, a musical adaptation of the Murray Schisgal play Luv, for which she ... read more ... read more Ms. Grant has been involved in the creation of some 18 theatrical productions, five of them on Broadway. With the long-running Don't Bother Me, I Can't Cope, in which she also starred, she became the first woman to win a Grammy Award for the score of a Broadway musical. She also received Tony nominations for book, music, and lyrics. Another Grammy nomination for the score (with Alex Bradford) of Your Arms Too Short to Box with God followed, as well as another Tony nomination for the score of Working. When Your Arms Too Short... and It's Nice to Be Civilized opened ... read more ... read more Stephen Schwartz was born in New York City on March 6, 1948. He studied piano and composition at the Juilliard School of Music while in high school and graduated from Carnegie Mellon University in 1968 with a B.F.A. in Drama. Upon coming back to live in New York City, he went to work as an A&R producer for RCA Records, but shortly thereafter began to work in the Broadway theatre. His first major credit was the title song for the play BUTTERFLIES ARE FREE; the song was eventually used in the movie version as well. In 1971, he wrote the music ... read more ... read more Ken Billington is a highly acclaimed lighting designer with over 50 years of experience in the theatre industry. Born in 1944 in Long Island, New York, Billington attended Hofstra University where he studied theatre and lighting design. After graduating, he began his career as a lighting designer in the Off-Broadway scene in the 1960s, eventually making his way to Broadway. Billington has designed the lighting for over 100 Broadway productions, including the original productions of Sweeney Todd, Chicago, and The Drowsy Chaperone. He has been nominated for the Tony Award for Best Lighting Design 21 times, winning three times for his ... read more Films include Ladybird, The Girl With the Dragon Tattoo; Extremely Loud & Incredibly Close; Moneyball; Moonrise Kingdom; Margaret; The Social Network; True Grit; Greenberg; It’s Complicated; Fantastic Mr. Fox; Julie & Julia; Doubt; No Country for Old Men; There Will Be Blood; Reprise; The Queen; Margot at the Wedding; Notes on a Scandal; Venus; Closer; Team America: World Police; I Heart Huckabees; School of Rock; The Hours; Iris; The Royal Tenenbaums; Zoolander; Sleepy Hollow; Wonder Boys; Bringing Out the Dead; South Park: Bigger, Longer & Uncut; The Truman Show; In & Out; Ransom; The First Wives Club; Clueless; Nobody’s Fool; ... read more Stephen Schwartz was born in New York City on March 6, 1948. He studied piano and composition at the Juilliard School of Music while in high school and graduated from Carnegie Mellon University in 1968 with a B.F.A. in Drama. Upon coming back to live in New York City, he went to work as an A&R producer for RCA Records, but shortly thereafter began to work in the Broadway theatre. His first major credit was the title song for the play BUTTERFLIES ARE FREE; the song was eventually used in the movie version as well. In 1971, he wrote the music ... read more Arthur Siccardi was a Production Manager, Technical Supervisor, and Production Supervisor with countless Broadway credits. He worked on shows such as Chicago, La Cage Aux Folles, Billy Elliot, Grease, A Chorus Line, The Color Purple, Gypsy, Mamma Mia!, Jesus Christ Superstar, Saturday Night Fever, Annie Get Your Gun, and many more. ... read more