Experimental drama at its best. See what happens with no rehearsal, no director, a different actor each night and a script waiting in a sealed envelope on the stage.
Each night a completely new adventure awaits - depending on how and where the actor takes the piece. Internationally acclaimed “White Rabbit Red Rabbit”, by Iranian writer Nassim Soleimanpour, is a theatrical absurdist adventure that sits right on the edge of comedy and tragedy. An edge of your seat experience with some of the most celebrated international talent, you don’t want to miss this theatrical event of the year at the stunning Soho Place.
Reviewers are also requested to keep the secrets of White Rabbit Red Rabbit. But what I can say is that it deals in themes of oppression, identity and what it means to be free. Animal metaphors are used as the foundation of the story; they are poignant but also bewildering, which is part of Soleimanpour’s plan. Like the actor each evening, the audience also has to experience the theatrical unknown.
Soleimanpour’s writing is very meta, looping around to interrogate the act of a performer interpreting and communicating the work to an audience. It challenges us to analyse our natural responses: do we start to think of Mohammed as the author, and how much is our view of Soleimanpour shaped by him? Mohammed, who is an astonishingly good cold-reader and delightful company, certainly lent the author his charm, and – for better or worse – an eagerness to put us at ease. Other performers may revel in the uncomfortableness of the situation.
2016 | Off-Broadway |
New York Premiere Production Off-Broadway |
2024 | West End |
West End |
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