Following their triumphant production of The Ferryman, Tony®-winning Playwright Jez Butterworth and Oscar and Tony-winning Director Sam Mendes reunite for The Hills of California.
In the sweltering heat of a 1970s summer, the Webb sisters return to their childhood home in Blackpool, an English seaside town, where their mother Veronica lies dying upstairs. Gloria and Ruby now have families of their own. Jill never left. And Joan? No one’s heard from her in twenty years… but Jill insists that their mother’s favorite won’t let them down this time.
The run-down Sea View Guest House is haunted by bittersweet memories of amusement park rides and overdue bills. Back in the 1950s, each night the girls rehearse their singing act, managed by their fiercely loving single mom. But when a record producer offers a shot at fame and a chance to escape, it will cost them all dearly.
The play has been reportedly significantly rewritten since its London West End run, but it is still just over three hours, and unlike the Tony and Olivier Award-winning Butterworth’s memorable, deservedly award-winning plays (Jerusalem, The Ferryman), The Hills of California is a sludgy drag in which not enough happens, and not enough familial depth and grit examined, to merit such a long performance. If one had a brutal red pen in hand, the first act could be scythed completely; the play would rattle along better at just under two hours.
Maybe that’s why Mendes’s production broods and thrums like it might suddenly turn into a Big Important Drama, or a potentially frightening one. The magnificent rotating set (by designer Rob Howell) features M.C. Escher-inspired stairways ascending as though into the great beyond. Deep, lingering shadows (lighting is by Natasha Chivers) and ominous swells of scoring (by composer and sound designer Nick Powell) drum up more intrigue than most of the story’s well-worn tropes. Even for a scene of imminent demise on the British coast, the dreariness is a bit overdone.
2024 | West End |
West End |
2024 | Broadway |
Original Broadway Production Broadway |
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