Pulitzer Prize-winning playwright Suzan-Lori Parks, the author of last season’s The Harder They Come, returns to her artistic home with an edgy dramedy that celebrates the craft of theater while taking a hard look at history.
The off-off-off-Broadway theater troupe Good Company is putting on a play about Sally Hemings and Thomas Jefferson. Writer Luce is cast as Sally; her romantic partner, and the play’s director, Mike, is cast as Tom—really, people, what could possibly go wrong?
The eight members of the cast give their most absorbing performances as the 18th century characters. Rodrigo Muñoz’s authentic-looking costumes – surely better than Good Company could afford – help make the scenes at Monticello feel you-are-there real, not a rehearsal. The performers’ many interactions as the present-day members of the troupe (too minor to be considered full-fledged subplots) are less interesting as a whole.
Ms. Parks knows what you’re thinking: Oy, another play (it could just as well be a movie, or a book) reducing a dead white man who did undeniably great things to his worst transgressions and judging him by standards vastly different than our current ones. “Sally & Tom” acknowledges this dilemma, openly and cleverly, by studying its central duo in a transparently modern context, thus allowing its playwright to nod to — and even have fun with — contemporary mores and hangups without letting historical demons off the hook.
2024 | Off-Broadway |
Public Theater Off-Broadway Premiere Production Off-Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2024 | Drama Desk Awards | Outstanding Costume Design of a Play | Rodrigo Muñoz |
2024 | Drama Desk Awards | Outstanding Wig and Hair | J. Jared Janas |
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