Two families converge on Delhi for an arranged marriage and what promises to be a glorious union. As festivities unfurl in song and dance, expectation and reality collide. The bride and groom are not who they appear to be, and dark family secrets begin to surface. Chaos ensues, and as the nuptials draw closer, so do the wedding planner and the house maid. Together they find love over a simple marigold flower. As the city pulses with the promise of relief from the heat, the ancient and unbroken ties of family are further tested, asking the question: how do we redefine love in a rapidly evolving world?
The families mingle and bustle, but-without camera close-ups and cuts-it all feels stiff and belabored on stage. There is no sense of high-stakes, or even low-stakes for Aditi, Hemant, or their families; no narrative grist around them making this decision for a set of truly convincing reasons, or asking what they really want. Theirs is a woefully under-conceived central relationship to base a musical around. When they sing the duet “Could You Have Loved Me” it rings not just implausible but pointless; they never seemed that into each other. There is no yearning or mystery or intrigue. They seem pretty dullsville as a couple.
Otherwise, the musicalization feels both too assertive and too inconclusive, like a parade passing by. (There are rarely buttons on the songs to tell you they’re done, leaving the audience wondering whether to applaud.) Only in one song is there a concerted approach to the dramatic experience. The song involves Aditi’s orphaned cousin Ria, raised with her as a sister. Serious and studious, Ria (Sharvari Deshpande) plans to attend New York University, mostly as a way of escaping the marital expectations that Aditi, a pampered princess — “even your panties are ironed” — is all too willing to meet.
2017 | Regional (US) |
Original Production Regional (US) |
2023 | Off-Broadway |
St. Ann's Warehouse Off-Broadway Premiere Production Off-Broadway |
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