David Henry Hwang's modern classic, M. BUTTERFLY charts the scandalous romance between a married French diplomat and a mysterious Chinese opera singer - a remarkable love story of international espionage and personal betrayal. Their 20-year relationship pushed and blurred the boundaries between male and female, east and west - while redefining the nature of love and the devastating cost of deceit.
Academy Award nominee and Golden Globe Award winner Clive Owen will star as Rene Gallimard in the first Broadway revival of David Henry Hwang's Tony Award-winning play, M. BUTTERFLY, directed by Tony Award winner Julie Taymor.
For the Tony Award-winning play's first Broadway return, Hwang will introduce new material inspired by the real-life love affair between French diplomat Bernard Boursicot and Chinese opera singer Shi Pei Pu that has come to light since the play's 1988 premiere.
'M. Butterfly,' which officially returned to Broadway on Thursday night with a marquee director in Julie Taymor, a big star in Clive Owen and a significantly revised script from Hwang, is now an entirely different and very complicated proposition. The power balance between West and East has been transformed: Hwang himself acknowledged this in his underappreciated 2011 comedy 'Chinglish,' a play that displays much ambivalence about the so-called new China and is very much in dialogue with 'M. Butterfly.' 'Chinglish' is all about another feckless Western man in a sexually compromising situation, this time in a wholly subservient role. China doesn't flutter. It roars with capital.
When David Henry Hwang's memory play M. Butterfly made its Broadway debut almost 30 years ago, it took home the Tonys for Best Play, Best Direction, and Best Performance by a Featured Actor (B. D. Wong in a career-making turn as the Chinese opera singer Song Liling). It also ran for almost two years - a remarkable feat considering its thematically ambitious, stranger-than-fiction story. The play is based both on Puccini's romantic (and deeply problematic) tragedy of an opera, Madama Butterfly, and on the real-life affair between the Beijing opera singer Shei Pei Pu and French diplomat Bernard Boursicot, who for 20 years believed his male lover to be a woman.
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