In 1934, during the height of the Great Depression, everyone was searching for something. In a time-weathered guesthouse Minnesota, an unlikely group of strangers comes together with little other than hope and a need to survive in common.
Only a song can shake off the dust for one group of wayward souls-and old dreams may hold the promise of new beginnings. As they come in and out of each other's lives, their stories awaken with passion, fury and extraordinary beauty. Reimagining the music of Bob Dylan as roof-raising ensemble pieces and soul-stirring solos, playwright and director Conor McPherson weaves this story of faith, family, heartbreak, and love.
To its credit, Girl From the North Country doesn't offer up a false, crowd-pleasing closer; it's as sober as the historical moment it depicts. (It's like Mamma Mia! on downers.) By the end of the show, the random encounters have left some characters broken and others uplifted; one of them dies. But like a Dylan show with strangely rearranged songs and a baffling set list, it leaves you both humming its songs and puzzling over what you just witnessed.
McPherson's main dramaturgical problem here is magnitude. The size of the show is wrong, the size of the stories, the scenes, everything. It's simultaneously too long and too short-at times, so many people are getting introduced, it feels like a pilot episode, setting up the machinery for a ten-episode season. We know McPherson, when undistracted by songs, has one of the great senses of theatrical balance: He wrote plays like The Weir and The Night Alive, so perfect that they seem to continue on even after they're over, like a bicycle still wheeling along with the rider gone. That equilibrium abandons him in this, his first musical-he hasn't worked out how to get into songs gracefully, nor how to disguise that repetitive, get-to-the-next-number structure.
2017 | West End |
Original West End Production West End |
2017 | West End |
West End Transfer Production West End |
2018 | Off-Broadway |
Public Theater North American Premiere Off-Broadway |
2019 | West End |
West End Return Engagement West End |
2022 | Broadway |
Original Broadway Production Broadway |
2023 | US Tour |
North American Tour US Tour |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2022 | Tony Awards | Best Book of a Musical | Conor McPherson |
2022 | Tony Awards | Best Direction of a Musical | Conor McPherson |
2022 | Tony Awards | Best Musical | Girl From The North Country |
2022 | Tony Awards | Best Orchestrations | Simon Hale |
2022 | Tony Awards | Best Performance by an Actress in a Featured Role in a Musical | Jeannette Bayardelle |
2022 | Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Mare Winningham |
2022 | Tony Awards | Best Sound Design of a Musical | Simon Baker |
2020 | Drama League Awards | Outstanding Production of a Musical | Girl from the North Country |
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