From four-time Tony Award winner Harvey Fierstein (Kinky Boots, Newsies, La Cage aux Folles) comes CASA VALENTINA, his first play in almost thirty years and his first-ever collaboration with Manhattan Theatre Club. Two-time Tony Award winner Joe Mantello (Take Me Out, Wicked) directs this funny, fascinating world premiere based on actual events.
Back in 1962, most men went to the Catskill Mountains to escape the summer heat, but others took the two-hour drive to escape something else entirely: being men. Nestled in the land of dirty dancing and borscht belt comedy sat an inconspicuous bungalow colony that catered to a very special clientele: heterosexual men whose favorite pastime was dressing and acting as women. It was paradise for these men - white-collar professionals with families - to spend their weekends discreetly and safely inhabiting their chosen female alter egos. But when faced with the opportunity to become an official organization, these "self-made women" had to decide whether public recognition would help them gain a place in open society or spell their own personal disaster.
Infused with Fierstein's trademark wit, this moving, insightful and delightfully entertaining new work offers a glimpse into the lives of a group of unforgettable characters as they search for acceptance and happiness in their very own Garden of Eden.
CASA VALENTINA is a recipient of an Edgerton Foundation New American Plays Award.
With 'Torch Song Trilogy,' 'La Cage aux Folles' and 'Kinky Boots' to his credit, playwright Harvey Fierstein knows a thing or three about the fluidity of gender, identity and sexuality -- and about men raiding women's closets. His fact-inspired story -- directed with sensitivity and style by Joe Mantello -- unfolds at a Catskills bungalow colony that caters to heterosexual transvestites. Very niche.
The inspiration for Harvey Fierstein's 'Casa Valentina' was a discreet sanctuary in the Catskills where manly men (with wives and children and other baggage) could get their kicks in the bottled-up postwar era of the 50s by dressing up like girly-girls. But the play doesn't venture much beyond the facade of its true-life model. Fierstein vividly captures a group of these brave pioneers with their girdles on, and a trim ensemble helmed by Joe Mantello lends them character. But the plot is messy, the action static, and attempts to probe the psychosexual dynamic of transvestism are tentative and superficial.
2014 | Broadway |
Manhattan Theatre Club Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2014 | Drama Desk Awards | Outstanding Featured Actor in a Play | Reed Birney |
2014 | Drama League Awards | Distinguished Performance Award | Reed Birney |
2014 | Drama League Awards | Distinguished Performance Award | Gabriel Ebert |
2014 | Drama League Awards | Outstanding Production of a Broadway or Off-Broadway Play | Casa Valentina |
2014 | Outer Critics Circle Awards | Outstanding Featured Actress in a Play | Mare Winningham |
2014 | Outer Critics Circle Awards | Outstanding New Broadway Play | Casa Valentina |
2014 | Tony Awards | Best Costume Design of a Play | Rita Ryack |
2014 | Tony Awards | Best Performance by an Actor in a Featured Role in a Play | Reed Birney |
2014 | Tony Awards | Best Performance by an Actress in a Featured Role in a Play | Mare Winningham |
2014 | Tony Awards | Best Play | Harvey Fierstein |
2014 | Tony Awards | Best Play | Manhattan Theatre Club |
2014 | Tony Awards | Best Play | Lynne Meadow |
2014 | Tony Awards | Best Play | Barry Grove |
2014 | Tony Awards | Best Play | Colin Callender |
2014 | Tony Awards | Best Play | Robert Cole |
2014 | Tony Awards | Best Play | Frederick Zollo |
2014 | Tony Awards | Best Play | The Shubert Organization |
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