As a foreign war correspondent, Marina (Maggie Siff) has put her life on the line to illuminate the darkest corners of humanity. Having just returned from a particularly bloody conflict, she flirts with staying home for good—alongside her cameraman turned lover (Louis Ozawa). With her closest friends and family gathered on the eve of her lifetime achievement award ceremony, she decides to cap this glorious moment with an elopement. But as Marina tries to take hold of her life, she’s forced to reckon with the hold war has on her.
BREAKING THE STORY is a darkly funny and fiery drama about the cost of war and the audacity of those frontliners armed with only a press badge.
Except for Halston, who is incapable of not grabbing an audience, there’s little the cast can do to make this material feel full or fresh. Even Bonney, a director with miles of excellent productions to her credit — including “Mlima’s Tale” and “Cost of Living” — resorts to too many clichés. (The sound design, by Darron L West, and the projection design, by Elaine J. McCarthy, are especially obvious.) And a Hail Mary pass toward tragedy in the last moments of the play feels like an incomplete.
Jo Bonney’s flat, face-value staging only underscores the glibness of the script (the overarching it-was-only-a-death-dream conceit apparently gives Scheer the freedom to indulge in clunkers and cliches). The Second Stage Theatre production design is crisp and mostly effective, with Cho’s prim deconstruction of a grassy lawn and appalling detonations simulated by Jeff Croiter’s harsh lighting and Darron L. West concussing sound effects. The overqualified cast does what it can with a flimsy dramaturgical conceit. You feel for them. When a show squanders Halston, Carr, Ashe, and the magnetic Siff in such pseudo-topical trifle, it’s a criminal misuse of great women—even if it doesn’t rise to a war crime.
2024 | Off-Broadway |
Second Stage Off-Braodway Premiere Off-Broadway |
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