Amazing Grace is a new original musical based on the awe-inspiring true story behind the world's most beloved song. A captivating tale of romance, rebellion and redemption, this radiant production follows one man whose incredible journey ignited a historic wave of change.
John Newton (Tony Award nominee Josh Young), a willful and musically talented young Englishman, faces a future as uncertain as the turning tide. Coming of age as Britain sits atop an international empire of slavery, he finds himself torn between following in the footsteps of his father-a slave trader-or embracing the more compassionate views of his childhood sweetheart (Erin Mackey). Accompanied by his slave, Thomas (Tony Award winner Chuck Cooper), John embarks on a perilous voyage on the high seas. When that journey finds John in his darkest hour, a transformative moment of self-reckoning inspires a blazing anthem of hope that will finally guide him home.
Surefire stories don't write themselves. That's the take-away from Amazing Grace, the epically bad show that opened Thursday at the Nederlander Theatre...If you're going to make a musical about one of the best-known and most-loved songs of all time, you'd better be equal to the task. That, fundamentally, is not the case with the this earnest but cringe-inducing freshman effort by composer-lyricist Christopher Smith...All the principal actors, and particularly Mackey and Cooper, have gorgeous voices...The closing scene is as powerful as it is predictable, as the hymn builds to its climax, sung by the entire company (and many in the audience). Everything that has come before is instantly forgotten.
this earnest but plodding musical by Broadway newcomers needs lifelines of its own...The jumbled book, a joint effort by Smith and playwright Arthur Giron, is another issue. The creators have good instincts about a story worth telling. But their reach exceeds their grasp. Songs by Christopher Smith are serviceable but lack significance and surprise. You can hear the boilerplate lyrics coming a mile away. Even the potential power ballads don't have the structure to make an impact...the production self-sabotages with mood shifts...'Amazing Grace' has come to Broadway. But it still hasn't found its way.
2014 | Chicago |
World Premiere Production Chicago |
2015 | Broadway |
Original Broadway Production Broadway |
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