The year is 1973 and it's all happening. Led Zeppelin is king, Richard Nixon is President, and idealistic 15-year-old William Miller is an aspiring music journalist. When Rolling Stone magazine hires him to go on the road with an up-and-coming band, William is thrust into the rock-and-roll circus, where his love of music, his longing for friendship, and his integrity as a writer collide. Almost Famous is about a young man finding his place in the world and the indelible characters he meets along the way. It's a celebration of community, family, fandom and the power of music.
In another devastating blow to the 'West Coast Has Taste' community, the musical Almost Famous has opened on Broadway, after a well-received premiere run in San Diego, to put another nail in that idealistic California coffin. It is a production so dull, with poor direction, ugly sets, uninteresting music, and flat performances, that it really needn't exist at all. Mind you, my beef here is mainly with the Pacific-facing critics who-be it through payola, their overall lack of theatre, or whichever self-help cult they've got going on over there these days-allowed me to raise my expectations for a show which counts among the most artistically lacking I've seen.
Tom Kitt wrote the music for “Next to Normal,” and with “Almost Famous,” he is credited as co-lyricist and composer of most of the score. He is at his best with dreamy ballads like “Morocco,” nicely sung by Pfeiffer, that convey a sense of elusive longing. But after a few of these songs, Kitt’s penchant for the 4/4 time signature becomes a kind of corn syrup poured over the entire score. The real Stillwater songs “Fever Dog” and “I Come at Night” make brief appearances, when the band is practicing or performing onstage. More telling is the use of Elton John’s “Tiny Dancer” to end Act 1 – a verbatim re-creation of a scene from the movie. What is happening here as the band travels on the road in their bus? Did someone in Stillwater turn on the radio, and having a brief lapse of good taste, prefer Elton John to anything written by Tom Kitt?
2019 | San Diego, CA (Regional) |
The Old Globe Premiere Production San Diego, CA (Regional) |
2022 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2023 | Drama Desk Awards | Outstanding Music | Tom Kitt |
2023 | Drama Desk Awards | Outstanding Sound Design of a Musical | Peter Hylenski |
2023 | Drama Desk Awards | Outstanding Wig and Hair | Campbell Young Associates |
2023 | Theatre World Awards | Theatre World Awards | Casey Likes |
2023 | Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Tom Kitt |
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