In London this past season, there was one show that everyone was talking about. The Young Vic production of A VIEW FROM THE BRIDGE premiered in April 2014 to ecstatic reviews and instantly sold out its initial engagement. The production subsequently transferred to London's West End for another completely sold-out run. It won the 2015 Olivier Awards for Best Revival, Best Actor and Best Director. It was named the top theater pick of the year by The Evening Standard, The Guardian and The Independent. The Times called it "one of the great theatrical productions of the decade."
The Financial Times called it "superb, searing and triumphant." Time Out wrote, "To say visionary director Ivo van Hove's production is the best show in London is like saying Stonehenge is the current best rock arrangement in Wiltshire; it almost feels silly to compare this pure, primal, colossal thing with anything else on the stage."
The visionary director, Olivier winner Ivo van Hove, will be making his Broadway debut. The stellar cast will be led by Mark Strong (The Imitation Game; Tinker, Tailor, Soldier, Spy), who won the Olivier Award for his portrayal of Eddie Carbone in Miller's dark and passionate classic drama set on the Brooklyn waterfront.
I have to admit I'm of two minds about Van Hove's A View From the Bridge. My 30-year-old critic self probably would have thrilled to the ballsiness of turning a naturalistic melodrama into a Greek tragedy. Doing so adds a layer of meaning the way the cover of Abbey Road added a layer of meaning to the Beatles mythology. But my older-critic self says, 'Leave the damned play alone.' Leave us to draw the connection from Eddie Carbone to Willie Loman (Death Of A Salesman) and Joe Keller (All My Sons) - men whose sense of their own manhood cannot survive the emasculating pressures of making it in America. In the end, Eddie impotently demands his 'respect' - even though he's committed the ultimate crime of ratting out his countrymen to Immigration. Even sexual congress with Catherine would have been more forgivable than that. Eddie's tragedy, like Willy's and Joe's, is that he is no hero at all, but a victim not only of his own tortured desire (perhaps it's Rodolpho he really wants?) but of his inability to gain entree to that American Dream he's been sold on.
Generally, though, the performances are powerful -- Michael Gould's gritty, heartfelt take on Alfieri, a local lawyer who predicts Eddie's doom, is another standout -- and van Hove holds us rapt throughout, even when his flourishes feel overstated. While Miller's dialogue hardly requires such added fuss, the director should be commended for offering a fresh take that sacrifices none of its sting.
1955 | Broadway |
Original Broadway Production Broadway |
1965 | Off-Broadway |
Off-Broadway |
1983 | Broadway |
Broadway Revival Production Broadway |
1997 | Broadway |
Roundabout Revival Broadway |
2010 | Broadway |
Broadway Revival Broadway |
West End |
West End West End |
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2015 | Broadway |
Broadway Revival Production Broadway |
2019 | Immersive |
Brave New World Repertory Theatre's Immersive Production Immersive |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2016 | Drama Desk Awards | Outstanding Actor in a Play | Mark Strong |
2016 | Drama Desk Awards | Outstanding Actress in a Play | Nicola Walker |
2016 | Drama Desk Awards | Outstanding Director of a Play | Ivo van Hove |
2016 | Drama Desk Awards | Outstanding Revival of a Play | A View From the Bridge |
2016 | Drama League Awards | Distinguished Performance Award | Mark Strong |
2016 | Drama League Awards | Distinguished Performance Award | Nicola Walker |
2016 | Drama League Awards | Outstanding Revival of a Broadway or Off-Broadway Play | Arthur Miller |
2016 | Outer Critics Circle Awards | Outstanding Actor in a Play | Mark Strong |
2016 | Outer Critics Circle Awards | Outstanding Actress in a Play | Nicola Walker |
2016 | Outer Critics Circle Awards | Outstanding Director of a Play | Ivo van Hove |
2016 | Outer Critics Circle Awards | Outstanding Revival of a Play (Broadway or off-Broadway) | A View From the Bridge |
2016 | Tony Awards | Best Direction of a Play | Ivo Van Hove |
2016 | Tony Awards | Best Lighting Design of a Play | Jan Versweyveld |
2016 | Tony Awards | Best Performance by an Actor in a Leading Role in a Play | Mark Strong |
2016 | Tony Awards | Best Revival of a Play | Arthur Miller's A View from the Bridge |
2016 | Tony Awards | Best Scenic Design of a Play | Jan Versweyveld |
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