This fall, John Grisham's debut novel A TIME TO KILL, one of the most celebrated courtroom dramas of the last several decades, becomes the first in his iconic collection of legal dramas to be adapted for the Broadway stage.
A TIME TO KILL is the incendiary story of a Southern community torn in half by an unspeakable crime. As the shocking news hits the public, small town America becomes the center of a media storm, where innocence is the victim, race is on trial and lives hang in the balance.
Part courtroom drama, part suspense thriller, pure theatrical dynamite, A TIME TO KILL begins performances September 28 at the Golden Theatre.
'It was my first book and the first that I have allowed to be adapted for the theatre. Rupert Holmes did an excellent job of translating it from the page to the stage, and I am happy that not only my loyal readers, but a whole new audience, will be able to experience this story in live theatre.'
- John Grisham
The audience becomes the jury in A Time To Kill, Rupert Holmes' by-the-numbers stage adaptation of John Grisham's page-turning 1989 debut novel. But unlike the workings of a real jury, there's no room for ambiguity, moral complexity or startling insight in this formulaic courtroom drama about institutionalized racism in the Deep South, in which every liberal-pandering response has been hardwired into the dated material. Sturdy ensemble acting and Grisham's compelling storytelling make this go down easily, but the production provides little persuasive evidence that the thriller needed to become a play.
It's the glory of courtroom melodrama that all kinds of flaws can be overlooked if the story is tense and dramatic, with juicy revelations and legal fireworks. But this production has all the snap of a plate of overcooked linguine. There are a couple of trial tricks, as Jake tries to get Hailey acquitted with an insanity defense, but the evening mostly just bumbles tediously along.
2013 | Broadway |
Broadway Premiere Broadway |
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