The story of the legendary Neil Diamond comes to life on stage in a gripping and uplifting new musical featuring a score of his most beloved songs. With his first break into songwriting in the 1960s and his meteoric rise in the 1970s, and plenty of crushing disappointments and heart-stopping triumphs along the way, Neil Diamond has maintained an almost unthinkable level of superstardom for five straight decades. How did a poor Jewish kid from Brooklyn become one of the most universally adored showmen of all time? There's only one way to tell it: a musical set to his era-defining smash hits that entranced the world.
Mr. Swenson credibly evokes Mr. Diamond’s gravel-scraped baritone, but while his singing is excellent, he cannot quite find a distinctive persona in the character as articulated by Mr. McCarten. As Neil goes through divorces and the self-questioning that any neurotic Jewish boy would undergo upon reaching unfathomable success, the character remains steadfastly stuck in lonely-sad mode. (A flashback to his childhood illustrates its roots: “What kind of boy never has a friend over to play?” his mother laments.)
“Sweet Caroline” lands right before intermission, and the whole scene is so good (So good! So good! So good!) that this New Yorker almost forgot the song is the anthem for the Boston Red Sox. Book writer and biopic veteran Anthony McCarten (The Theory of Everything, Darkest Hour, Bohemian Rhapsody), also represented on Broadway this season by the Warhol-Basquiat play The Collaboration, places the songs thoughtfully, and for maximum emotional effect: Diamond’s first live performance is acoustic, the melancholy slow burn “Solitary Man.” As his confidence grows onstage, his numbers get bigger and glitzier. Act 2 opens with the wild, soulful “Brother Love’s Traveling Salvation Show,” featuring the singer in full razzle-dazzle, sequin-and-tassel mode and the chorus shimmying for dear life. Combining “Brooklyn Roads” with “America” is a stroke of genius (though bringing in Neil’s bickering parents between verses dampens the mood). And the existential power ballad “I Am…I Said” gets the spot it deserves, as the 11 o’clock number, where it’s sung by Mark Jacoby as present-day Neil, with Swenson joining in at the end.
Digital Lottery:
Price: $55
Where: The digital lottery for A Beautiful Noise can be found at rush.telecharge.com.
When: Entries for the digital lottery, will start at 12 AM ET, one day before the performance, and winners are drawn the same day at 9 AM ET and 3 PM ET.
Limit: Two per customer
Information: Seats may be located in any section of the theater. While every effort will be made to seat pairs together with a full view, there is a chance that pairs may be split up and that your seat may have a partial view of the stage.
2022 | Broadway |
Original Broadway Production Broadway |
2024 | US Tour |
North American Tour US Tour |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2023 | Drama Desk Awards | Outstanding Featured Performance in a Musical | Robyn Hurder |
2023 | Drama Desk Awards | Outstanding Featured Performance in a Musical | Mark Jacoby |
2023 | Drama Desk Awards | Outstanding Wig and Hair | Luc Verschueren |
2023 | Drama League Awards | Distinguished Performance Award | Will Swenson |
2023 | Drama League Awards | Outstanding Production of a Musical | A Beautiful Noise |
2023 | Outer Critics Circle Awards | Outstanding New Broadway Musical | A Beautiful Noise |
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