WALKER ART CENTER

BRKFST Dance Company presents two wildly different works of art in celebration of their 10-year anniversary. BRKFST continues to “show us the future of dance” ...

Dael Orlandersmith; dir: Neel Keller. World Premiere...

“If there were prizes for wiliness in dancing, David Zambrano would win them all. He looks deft enough to slip through cracks, dive into keyholes, ...

“Tortoise is one of the rare groups that defy easy classification despite their status as founding fathers of the late-‘90s post-rock boom.” —Paste Magazine Chicago’s ...

“Melodramatic, witty, inventive and downright intoxicating. I was not fully prepared for the sheer genius that is FUTURITY.” —Music Slut As the Civil War rages ...

“As a performer, Seun is far more of a chip off the old block than Femi, and with a gruffer and more streetwise sounding vocal ...

“Raw folk and electronically assisted sonic richness, in an improbably captivating mix.” —The Oregonian This groundbreaking collective of composers/performers (and old Vermont friends) blurs the ...

“Joseph is the real deal, swinging with such confidence that you grasp for adjectives to capture his skills.” —Star Tribune Spoken word/hip-hop theater artist Marc ...

“Vijay Iyer is, simply put, one of the most interesting and vital young pianists in jazz today.” —Pitchfork Thursday, March 1 : Wadada Leo Smith ...

“[Jones’s] gifts: pungent, purposeful character development, compelling storytelling and pure-dance interludes of slippery and often deeply romantic choreography.” —Washington Post Bill T. Jones, one of ...

“Pensotti has a fine facility with irony, with the fine balance between comedy and tragedy and, most of all, with the ability to capture an ...

“chelfitsch is one of the most acclaimed phenomena in Japan’s theater scene from the last decade.” — CNN Known for his stylized hybrids of oddly ...

“[He is] to Beirut what the Wooster Group is to New York: a blend of avant-garde innovation, conceptual complexity and political urgency, all grounded in ...

“She offers the pleasure of brazen theatrical inventiveness.” —New Yorker “My work has never been about lecturing and bullying people,” says Young Jean Lee. “It’s ...