EDINBURGH 2019: BWW Review: HOTTER, Underbelly by Bryony Rae Taylor - August 19, 2019 Mary Higgins and Ell Potter interviewed women and trans people from the age of 11 to 97 about what gets them 'hot', and then made a wonderful verbatim piece of theatre. EDINBURGH 2019: BWW Review: CRYSTAL RASMUSSEN PRESENTS THE BIBLE 2, Underbelly by Natalie O'Donoghue - August 20, 2019 After a swift rise to fame with her Nobel-nominated book Diary of a Drag Queen, DENIM's Crystal is back. Bringing her pages to life through song, dance and writhing around in a children's swimming pool. A tour-de-force show of a lifetime, 108-year-old Crystal reveals how to escape shame, escape the debt collector and escape James Franco who has been obsessed with her since 1996. EDINBURGH 2019: BWW Review: AMERICA IS HARD TO SEE, Underbelly by Natalie O'Donoghue - August 20, 2019 This daring new play uses a blend of verbatim interviews, Methodist hymns and original songs to investigate the lives in and around Miracle Village, a rural American community for sex offenders buried deep in Florida's sugar cane fields. EDINBURGH 2019: BWW Review: JESSICA FOSTEKEW: HENCH, Monkey Barrel by Natalie O'Donoghue - August 20, 2019 Absolute powershed and regular host of The Guilty Feminist, Jessica Fostekew explores her big strong strength. Have you ever watched a feminist try and take 'hench' as a compliment? It's like watching a snake eat but funny. In preview, Hench was nominated for Best Show at the Leicester Comedy Festival. You've seen Jess in BBC sitcoms Motherland and Cuckoo and BAFTA Award-winning drama Three Girls. She's also in forthcoming feature films: Gavin Hood's Official Secrets and Michael Winterbottom's Greed. She writes for 8 out of 10 Cats. EDINBURGH 2019: BWW Review: LADYBONES, Pleasance by Natalie O'Donoghue - August 20, 2019 Archaeologist Nuala unearths a skeleton and her ordered life starts to unravel. Digging into the mystery of the bones, can she handle the chaos of what she discovers? Based on personal experience, this is an uplifting and compelling story about OCD, dungarees and being weird but not a weirdo. EDINBURGH 2019: BWW Review: ON THE OTHER HAND, WE'RE HAPPY, Roundabout @ Summerhall by Emma Ainley-Walker - August 18, 2019 Josh and Abbie decide to adopt. When Josh has to continue alone he meets his daughter's birth mother and lives are changed. EDINBURGH 2019: BWW Review: ANDY ZALTZMAN: SATIRIST FOR HIRE, The Stand 3 & 4 by Amy Hanson - August 18, 2019 Zaltzman, best known for current events comedy podcast The Bugle, takes topic suggestions, either by email or from early birds at the front of the queue, and satirises them, with the aim of making audiences feel better about the state of the world. EDINBURGH 2019: BWW Review: SPLINTERED, Bedlam Theatre by Adam Robinson - August 18, 2019 Not fully stand up, not fully a play. Nor a sketch show or pure physical comedy. Splintered is a little bit of everything. A collection of calypso cabaret, all mixed up, reminiscent of the Caribbean itself. It explores and shares the voices of LGBTQI+ women in Trinidad and Tobago. EDINBURGH 2019: BWW Review: CRUEL INTENTIONS: THE 90S MUSICAL, Assembly George Square Gardens by Emma Ainley-Walker - August 18, 2019 The bent to film adaptions and Jukebox productions in new musical theatre does not fill everyone's hearts with joy. Where are the original narratives? But Cruel Intentions: The 90s Musical combines both of these elements with perfect pitch. It is pure nostalgia and escapism, the night of entertainment and fun that the world needs right now. Especially the 90s kids. EDINBURGH 2019: BWW Review: DARIUS DAVIES: PERSIAN OF INTEREST, Just the Tonic at The Tron by Amy Hanson - August 18, 2019 In a selfless act of public service, Anglo-Iranian comedian Darius will show you how easy it is to beat the system and avoid media manipulation in our agenda-driven, technology-obsessed, modern society. EDINBURGH 2019: BWW Review, BITCH, ANTIGONE, theSpace on the Mile by Amy Hanson - August 18, 2019 Australian company Out Cast Theatre return to the Fringe with another outrageous deconstruction of a theatre classic, in the same vein as their The Importance Of Being Earnest As Performed by 3 F**king Queens & A Duck. EDINBURGH 2019: BWW Review: COLIN CLOUD: SINFUL, Pleasance Courtyard - The Grand by Adam Robinson - August 18, 2019 After five years at the Fringe, and a transatlantic turn on America's Got Talent, for which he was invited back for the Champions series, Colin Cloud returns to Edinburgh with new show Sinful. BWW Review: RED DUST ROAD, Lyceum, Edinburgh by Natalie O'Donoghue - August 18, 2019 Growing up in 70s' Scotland as the adopted mixed raced child of a Communist couple, young Jackie blossomed into an outspoken, talented poet. Then she decided to find her birth parentsa?? EDINBURGH 2019: BWW Review: BROMANCE, Assembly Rooms - Music Hall by Adam Robinson - August 18, 2019 The art of circus skills involves trust, talent and intimate physical contact. In a social landscape where the gender stereotypes of what it means to be a man, and what are acceptable public interactions keep changing, how does this effect male acrobats? EDINBURGH 2019: BWW Review: JENNY BEDE: THE MUSICAL, Just the Tonic by Natalie O'Donoghue - August 18, 2019 Classically trained in musical theatre, comedian, writer and actor Jenny Bede is tired of waiting around for her perfect role. However, much like nationalism and Greggs, musical theatre is having a bit of a moment. Naturally, Jenny wants in on the action. EDINBURGH 2019: BWW Review: JAMES BARR: THIRST TRAP, Underbelly, Cowgate - White Belly by Adam Robinson - August 18, 2019 James Barr has had a glittering career on the airwaves for the past few years on stations such as Heat and Hits Radio, plus working for MTV. He has taken his fame and following to dip into the stand-up comedy pool, and this guy can truly swim. EDINBURGH 2019: BWW Review: FISHBOWL, Pleasance Courtyard - The Grand by Adam Robinson - August 18, 2019 After winning the esteemed French theatre award, the Moliére, for Best Comedy Play, Fishbowl brings its slapstick physical comedy to the Edinburgh Fringe for the first time. EDINBURGH 2019: BWW Review: UNICORN PARTY, Zoo Playground by Amy Hanson - August 18, 2019 Through the planned anarchy, Field considers the unicorn phenomenon as appropriation of queer culture, and persuasively traces the evolution through the centuries of both unicorns and sugar back to the idea of purity, with each of these elements being shown to be symbolic of power. EDINBURGH 2019: BWW Review: STANDARD:ELITE, Bedlam Theatre by Amy Hanson - August 18, 2019 Coming to Edinburgh with awards from both Brighton and Manchester Fringes, Standard:Elite from Hidden Track Theatre Company is an interactive piece of political theatre on the theme of social class. EDINBURGH 2019: BWW Review: FATTY FAT FAT, Pleasance by Natalie O'Donoghue - August 18, 2019 Ever feel like your body takes up too much space in a world that doesn't want to make any room? Katie is fat. Pretty much always been fat, and will be fat forever. Join her in the Cha Cha Slide, munch on some crisps, and have a listen to what it's like to live in a body that people can't help have an opinion on. Fatty Fat Fat is a funny, frank and provocative solo show about living in a body the world tells you to hate. Leave your diet books at the door. EDINBURGH 2019: BWW Review: ROSE MCGOWAN: PLANET 9, Assembly by Natalie O'Donoghue - August 17, 2019 Best-selling author, actress and activist Rose McGowan makes her debut at the Fringe. Through memoir, music, storytelling, projections and performance Rose creates a new world of possibilities: Planet 9. She invites the audience on a healing journey of discovery to this new planet. The antidote to all that is earthbound, from here we can see Earth from a new perspective and learn how to create a liberated, fairer society for ourselves. Like moon dust, Rose hopes you will take a little piece of Planet 9 with you wherever you go. EDINBURGH 2019: BWW Review: WE APOLOGISE FOR THE INCONVENIENCE, PQA Venues @ Riddle's Court by Amy Hanson - August 18, 2019 Douglas Adams, beloved writer of The Hitchhiker's Guide to the Galaxy, was notoriously terrible at sticking to deadlines. Perennially quotable, he claimed to love 'the whooshing sound they make as they go by'. The premise of Room 5064's short play, We Apologise For The Inconvenience, imagines Adams, late once again in submitting a manuscript, locked in a hotel room by his publisher until he finishes the series' fourth outing; the book that would be released as So Long, And Thanks For All The Fish. EDINBURGH 2019: BWW Review: ABORIGINAL COMEDY ALLSTARS, Assembly George Square Studios by Joanna Trainor - August 18, 2019 Deadly: Excellent/amazing/really good to Aboriginal people. MC Kevin Kropinyeri explains this definition at the top of the show. It's important to know for the rest of the hour. EDINBURGH 2019: BWW Review: CHRIS PARKER: CAMP BINCH, Assembly George Square Studios by Joanna Trainor - August 19, 2019 This show has everything - big Broadway tunes, wigs, exceptional childhood haircuts and enough energy from Parker to power the whole of Edinburgh. EDINBURGH 2019: BWW Review: TONY SLATTERY: SLATTERY WILL GET YOU NOWHERE, The Stand by Bryony Rae Taylor - August 17, 2019 A manic mash-up of memories from his career, Tony Slattery is asked questions by his good friend Robert Ross. |
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