Edinburgh 2022: Review: SOMETHING IN THE WATER, Summerhallby Natalie O'Donoghue - August 7, 2022When Grumms transforms from a normal girl into a squid monster ('Creature from the Black Lagoon' meets 'The Muppets'), they must hide their secret identity in order to pass in society. Stunning video projections, puppetry and physical comedy combine in this absurd exploration of gender and growing up 'normal'. Edinburgh 2022: Review: KAREN FROM FINANCE IS OUT OF OFFICE, Underbellyby Natalie O'Donoghue - August 7, 2022Pack your calculators, save your spread sheets and set your automatic email reply because Karen from Finance is heading Out of Office! She's hitting the road and she's hitting it hard. Say goodbye to the 80 hour work week and jump on board the Finance Express for this one-woman journey of self-discovery... and self-annihilation. Beloved Australian drag queen Karen from Finance presents her debut one woman show Out of Office which features all of her trademark high-camp and hilarious mashups, plus all the tomfoolery you can poke a presentation pointer at. Edinburgh 2022: Review: NO MORE MISTER NICE CHELSEA, Just The Tonicby Natalie O'Donoghue - August 5, 2022Highly anticipated debut from this 'one to watch' (FunnyWomen.com), 'rising star' (OxInABox.co.uk) and multi-competition finalist. She was 'innocent' (Oxford Mail) and 'adorable' (MumbleComedy.net) but in this thought-provoking and playful show, she explores the things that aren’t so lovely: sex, drugs and rock'n'roll* Edinburgh 2022: Review: AUDREY'S ART CLUB, On Demandby Natalie O'Donoghue - August 4, 2022Discover what happens behind the zoom camera in this 30-minute drama of Art Club. Audrey wants to know what doodling's got to do with love and goes back to her lover's childhood home to find answers. Edinburgh 2022: BriTANicK Guest Blogby Natalie O'Donoghue - July 28, 2022Brian and Nick, collectively known as BriTANick blog for BroadwayWorld about making their Edinburgh debut, the difference between writing for stage and for screen and what is uniquely enjoyable about performing for a live audience. Edinburgh 2022: Tony Law Q&Aby Natalie O'Donoghue - July 28, 2022BWW catches up with Tony Law about bringing A Now Begin in Again to the 2022 Edinburgh Festival Fringe Edinburgh 2022: Ignacio Lopez Q&Aby Natalie O'Donoghue - July 28, 2022BWW catches up with Ignacio Lopez to chat about bringing El Cómico to the 2022 Edinburgh Festival Fringe. Edinburgh 2022: Casting Off Q&Aby Natalie O'Donoghue - July 28, 2022BWW catches up with A Good Catch ahead of the show coming to the 2022 Edinburgh Festival Fringe Edinburgh 2022: Chris Gethard Guest Blogby Natalie O'Donoghue - July 27, 2022Ahead of its run at the 2022 Edinburgh Festival Fringe, Chris Gethard blogs for BroadwayWorld about bringing A Father and the Sun to the Gilded Balloon this August. Edinburgh 2022: 9 Circles Q&Aby Natalie O'Donoghue - July 27, 2022BWW catches up with Guy Masterson to chat about bringing 9 Circles to the 2022 Edinburgh Festival Fringe. Edinburgh 2022: David Carpenter Guest Blogby Natalie O'Donoghue - July 26, 2022Broadway producer David Carpenter blogs for BroadwayWorld about bringing The Twenty-Sided Tavern to the UK, the joys of combining technology and theatre and why the dynamic between the three creative partners works so well for the show Edinburgh 2022: Flabbergast Theatre Guest Blogby Natalie O'Donoghue - July 25, 2022Cast member and Flabbergast Associate Artist Simon Gleave blogs for BroadwayWorld about bringing The Tragedy of Macbeth to the Fringe, how the creators and performers have integrated many different styles in the production and how this adds to the audiences’ understanding and experience of the story. Edinburgh 2022: Josh King Guest Blogby Natalie O'Donoghue - July 25, 2022Company member and resident writer Josh King breaks down how the Say It Again Sorry team find things to go wrong when developing the show, and what he thinks Oscar Wilde would make of this adaptation. Edinburgh 2022: Emo Majok Q&Aby Natalie O'Donoghue - July 25, 2022BWW catches up with Emo Majok to chat about bringing African Aussie to the 2022 Edinburgh Festival Fringe. Edinburgh 2022: The Giant Killers Guest Blogby Natalie O'Donoghue - July 25, 2022Actor and co-writer of The Giant Killers; Andrew Pearson-Wright blogs for BroadwayWorld about bringing this tear-jerking tale to Edinburgh and why stories from so long ago still resonate with people today. Edinburgh 2022: Debra Batton Guest Blogby Natalie O'Donoghue - July 25, 2022Debra Batton from A Good Catch blogs for BroadwayWorld about bringing new compelling theatre show Zoë to the Fringe and how the team create a breathtaking circus performance that speaks directly to the audience, telling the story of climate change through their work Edinburgh 2022: The Failure Cabaret Guest Blogby Natalie O'Donoghue - July 25, 2022Husband and wife duo Stephanie Dodd and Justin Badger blog for Broadway Baby about debuting The Failure Cabaret in Edinburgh along with the benefits and pitfalls of writing a show with your partner about your most personal and sometimes sensitive subjects Edinburgh 2022: Clare Bartholomew Guest Blogby Natalie O'Donoghue - July 25, 2022Actor Clare Bartholomew who plays ‘Barb’ in The Anniversary blogs for Broadway World about premiering the play in Edinburgh, her favourite routines to perform and the processes behind developing a theatrical comedy show with hardly any dialogue. EDINBURGH 2022: James Rowland Q&Aby Natalie O'Donoghue - July 21, 2022BWW Catches up with James Rowland to chat about bringing Learning To Fly to the 2022 Edinburgh Festival Fringe.
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