On the verge of death for the umpteenth time, Anna (Linda Lavin) makes a shocking confession to her grown children: an affair from her past that just might have resonance beyond the family. But how much of what she says is true? While her children try to separate fact from fiction, Anna fights for a legacy she can be proud of. With razor-sharp wit and extraordinary insight, Our Mother's Brief Affair considers the sweeping, surprising impact of indiscretions both large and small.
No one does difficult moms like Linda Lavin...With signature style, wry wit and an irresistible glint in her eye, Lavin makes Anna Cantor, 'an average situational liar,' as she's called, a force to be reckoned with. Lavin can do that in her sleep. Even so, the play is a snooze...Greenberg writes sharp and smart dialogue. Lynne Meadow is an efficient director. The cast is fine, but can only do so much with a script that is undercooked and overwritten at the same time...The notion of how much we can ever truly know people in our lives is worth exploring. Who was she, indeed? But the question 'Brief Affair' leaves you with is 'What was that?' Ultimately, not enough to satisfy.
The play's switcheroo invites deep thoughts, such as, 'What was that all about?' My wild guess is Greenberg started writing two different plays that weren't going anywhere, and decided to weld them together. Just for the heck of it.
2015 | Broadway |
Manhattan Theatre Club Original Broadway Production Broadway |
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