Roundabout Theatre Company presents the Broadway premiere of Marvin’s Room, Scott McPherson's award-winning, wildly funny play about the laughter that can shine through life’s darkest moments. Anne Kauffman (Marjorie Prime, Maple and Vine) directs.
Lee is a single mother who's been busy raising her troubled teenage son, Hank. Her estranged sister Bessie has her hands full with their elderly father, his soap opera-obsessed sister - and a brand-new life-or-death diagnosis. Now the women are about to reunite for the first time in 18 years. Are Lee's good intentions and makeover skills enough to make up for her long absence? Can Bessie help Hank finally feel at home somewhere... or at least keep him from burning her house down? Can these almost-strangers become a family in time to make plans, make amends, and maybe make a trip to Disney World?
Exploring an unsentimental reality with hope, compassion and a dose of wonderfully absurd humor, Marvin's Room is a life-affirming reminder of the gift we give ourselves when we love unconditionally.
Are we grimmer or dumber or colder than we were in 1991, when Frank Rich, in The New York Times, called Scott McPherson's 'Marvin's Room' 'one of the funniest plays of this year as well as one of the wisest and most moving'? He did so even while noting that this 'healing' comedy, then opening Off Broadway, featured three major characters dying or disintegrating - and a bunch of others arguably worse off. I ask because the Roundabout Theater Company revival that opened on Thursday, giving the play its Broadway debut, barely seems to be any of the things Mr. Rich listed. Thoughtfully directed by Anne Kauffman; keenly performed by Lili Taylor, Janeane Garofalo and especially Celia Weston; a pleasure to watch throughout - it is all of these. But it is somehow, also, fatally mild.
A cute sense of humor pops up throughout the play, such as when Ruth dresses up for a special episode of her favorite television soap opera, Lee shamelessly dumps a tray of candy into her purse while touring a nursing home and Bessie is rescued at Disney World by a costumed cartoon character. Staging the play is deceptively difficult, as its slow pace and confessional mini-monologues can easily become tedious, and that is often the case with this production (directed by Anne Kauffman, who has extensive Off-Broadway credits). Laura Jellinek's misconceived set design is overly expansive (with the actors frequently far away from each other) and elaborate (requiring the assistance of visible stagehands) and yet still incomplete (with a backyard scene performed around the kitchen).
1991 | Off-Broadway |
Off-Broadway |
1992 | Off-Broadway |
Off-Broadway |
2017 | Broadway |
Roundabout Theatre Company Original Broadway Production Broadway |
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