The Unseen 2024 - Articles Page 13

See what's on the schedule at National Sawdust in March! Kimbra, Little Kruta, JACK Quartet, Metropolis Ensemble and more...

Sam Shepard, who left this world in 2017, was an American playwright and actor whose plays adroitly blend images of the American West, pop motifs, science fiction, and other elements of popular and youth culture. His settings are often a kind of nowhere, notionally grounded in the dusty heart of the vast American Plains. His characters are typically loners, drifters caught between a mythical past and the mechanized present; his work often concerns deeply troubled families, lovers or friends. Two of his plays centering on loners at the end of their rope, THE UNSEEN HAND coupled with Shepard's gritty and audacious KILLER'S HEAD, joins Odyssey Theatre Ensemble's 50th Anniversary a?oeCirca '69a?? Season of significant and adventurous plays that premiered around the time of the company's inception.

Go ahead a?" take the apple. Founding artistic director Ron Sossi directs a revival of The Serpent by Jean-Claude van Itallie a?" winner of the 1969 Obie award and arguably the most successful ensemble work ever created a?" as part of the Odyssey Theatre Ensemble's 50th Anniversary a?oeCirca '69a?? Season. Sossi previously directed the West Coast premiere exactly 50 years ago, in the spring of 1970, as the second production ever at the then brand-new Odyssey Theatre. The Serpent opens on March 7 at the Odyssey's current home in West L.A., where performances will continue through May 3.

'Fame was like a tongue sandwich to my mother,' is one way Barra Grant puts it in her autobiographical (almost) solo play, MISS AMERICA'S UGLY DAUGHTER: BESS MYERSON AND ME.

What happens when 1880 Western bandits are brought back to life in Azusa, CA by a space alien? Sam Shepard's The Unseen Hand joins Odyssey Theatre Ensemble's 50th Anniversary “Circa '69” Season of significant and adventurous plays that premiered around the time of the company's inception, coupled with Shepard's gritty and audacious Killer's Head. Longtime Shepard collaborator Darrell Larson directs both plays for a Jan. 25 opening at the Odyssey Theatre in West L.A., where performances will continue through March 8.

In 2018, the U.S. Supreme Court handed a narrow victory to a Christian baker from Colorado who refused for religious reasons to make a wedding cake for a gay couple. Hailing from a conservative North Carolina background, playwright Bekah Brunstetter is personally familiar with people like Della, the protagonist of THE CAKE, and ideally positioned to protect her and defend her humanity, while also setting her on a path to self-reflection and change. Although the story may be ripped from the headlines, Brunstetter tells it from the perspectives of a quartet of ordinary, yet multi-faceted characters, each of whom comes with a strong set of beliefs.

For the second offering of its 2020 season, West End Productions presents Nobel laureate Harold Pinter's The Dumb Waiter, a riveting mix of suspense, mystery and slapstick (!), directed by Joe Feldman.

The Segal Centre will be kicking off 2020 with a unique theatrical experience that takes #selfcare to the next level - just in time to help keep those New Year's resolutions going! Directed by Segal Centre Artistic Associate Caitlin Murphy, the Montreal premiere of Bess Wohl's Small Mouth Sounds will be in the Segal Centre Studio from February 9 to March 1, 2020.

Odyssey Theatre Ensemble has announced the schedule of rotating actors, including Shameless actor Steve Howey and film actor Dermot Mulroney, who will appear in Killer's Head by Sam Shepard, a monologue that makes up the first half of the Shepard double bill a?" the second half is his 1969 one-act The Unseen Hand a?" that is part of the Odyssey's 50th Anniversary a?oeCirca '69a?? Season of significant and adventurous plays that premiered around the time of the company's inception. 

Reyes | Finn have announced a debut solo exhibition by artist Nick Doyle accompanied by a two-person exhibition by Mike Cloud and John Riepenhoff, on view from January 10-February 22, 2020. Examining various modes of production-from the mass production of quotidian objects emblematic of the American Dream, to the production of art-both exhibitions bring to the fore standards of worth, exposing unseen systems of social mobility and support.

Groundbreaking gay play My Night With Reg is set to captivate theatre audiences with a vibrant new revival which embarks on a UK tour this month.

The Phoenix Theatre Ensemble presents a staged reading of Peter Danish's stunning new play 'LAST CALL (at the Hotel Sacher Wien)' directed by Elise Stone. The play tells the story of the final encounter between Leonard Bernstein and Herbert Von Karajan.

Celebrating the work of Klaus Kinski, Linda Blair and Rutger Hauer!... Cult horror classics, obscure thrillers, vintage erotica, absurd 80s action, outrageous Kung Fu and more! The next wave of Frolic Pictures' new limited edition grindhouse series double feature DVDs are now available online, wherever DVDs are sold (Amazon, Barnes & Noble, Walmart, etc.) Hand-selected by Hollywood exploitation filmmaker Jared Masters. A sordid combination of old school horror, vintage black comedies and juicy exploitation fare. Each DVD is a one-of-a-kind experience, like going to a drive-in back in the day, except in the comfort of your own home. 



Beginning December 27, Music Director Yannick Nézet-Séguin leads a brilliant new staging of Berg's masterpiece by William Kentridge, starring Peter Mattei and Elza van den Heever. On stage through January 22. 

Beginning December 27, Music Director Yannick Nézet-Séguin leads a brilliant new staging of Berg's masterpiece by William Kentridge, starring Peter Mattei and Elza van den Heever. On stage through January 22. 

What happens when 1880 Western bandits are brought back to life in Azusa, CA by a space alien? Sam Shepard's The Unseen Hand joins Odyssey Theatre Ensemble's 50th Anniversary a?oeCirca '69a?? Season of significant and adventurous plays that premiered around the time of the company's inception, coupled with Shepard's gritty and audacious Killer's Head. Longtime Shepard collaborator Darrell Larson directs both plays for a Jan. 18 opening at the Odyssey Theatre in West L.A., where performances will continue through March 8.

Time stands still but life goes on might be one way of looking at Will Eno's charming and sweetly philosophical The Underlying Chris, receiving a fine premiere production directed by Kenny Leon at Second Stage.

The Nutcracker is beloved for many reasons; the endless eye candy, the dynamic score, and the marriage of artistry and excellence. The element of tradition keeps us coming back for more. We yearn to feel connection, and to remember what it's like to wonder about magical things. Houston Ballet's multi-faceted Nutcracker is a delicious carnival of mystery and joy. Creative director Stanton Welch has built a production that serves the audience and leaves us completely fulfilled. Nothing sends you back to your childhood more quickly, with all things seemingly possible and your imagination offering an endless sweet escape.

SHE LOVES ME is a rare gem in the 21st century. 

Sundance Institute today named the global cohort of independent nonfiction film projects that comprise its latest Documentary Fund Grantees, including specialized grants administered by The Kendeda Fund and the Stories of Change Fund.

UCSB Theater and Dance presents their annual Fall Dance Concert a?oeOut of Manya??.  The concert opens on December 5th and runs through December 7th in the UCSB Hatlen Theater. 

BBC AMERICA today announced Anna Chancellor, James Fleet, Ingrid Oliver, Ruth Madeley, Hakeem Kae-Kazim, and Bianca Simone Mannie have joined the cast of the network's disruptive original series, The Watch, premiering in 2020. Co-produced by BBC Studios and Narrativia, The Watch is inspired by Sir Terry Pratchett's bestselling “Discworld” novels.

Set in a murky crime-infused cityscape of Prohibition-era America, Private Lies is a fully improvised long-from theatre experience framed as a serialized detective series. The original production pits Richard Lies, an unlucky Private Eye, against a nefarious underworld in film noir-inspired episodes. In each fully improvised performance, our haunted gumshoe seeks to piece together a random assemblage of clues to solve the a?oecrime of the daya?? while witnesses, suspects, and criminals help and hinder his pursuit of justice.

LET'S RUN AWAY is a deeply personal look into the life of a man through what his late birth mother wrote about him in her memoir; the premise is simple enough, but it's the layers and puzzles scattered throughout the interactions between mother and son that make the story so intriguing.