BWW Feature: ONLINE VIRTUAL OPERA TOUR No. 45 at Home Computer Screens
by Maria Nockin - Feb 13, 2021
In April, 2019, Pacific Opera Project performed Puccini’s Madama Butterfly 蝶々夫人 in Japanese and English at the Aratani Theatre, part of the Japanese-American Cultural Center of Los Angeles’s “Little Tokyo. With a new libretto by Josh Shaw and Eiki Isomura. See the film in which ll Japanese roles were sung in Japanese, English roles in English.
Opera Fuoco Releases Mini-Series FIGARO IN THE CITY On Marquee TV
by Chloe Rabinowitz - Feb 11, 2021
Conceived by Opera Fuoco Artistic Director David Stern and presented in partnership with Marquee TV, Figaro in the City is a modern-day retelling of Mozart's The Marriage of Figaro. Conductor David Stern collaborated with videographer and stage-director Alexandre Camerlo to forge the artistic direction of this contemporary adaptation of the 18th-century classic.
Melbourne Opera To Livestream Wagner's DAS RHEINGOLD
by A.A. Cristi - Feb 4, 2021
With tickets to Das Rheingold near sell out at the Regent Theatre, and to Bendigo's Ulumbarra Theatre on 21 February, Melbourne Opera invites you to join them for Australia's first ever LIVE stream of an opera via the Melbourne Digital Concert Hall on Sunday 7 February at 4pm.
Grand Teton Music Festival Introduces Season Four Of A National Radio Broadcast
by A.A. Cristi - Feb 3, 2021
Ahead of its milestone 60th summer season this year, Grand Teton Music Festival (GTMF) introduces season four of Live from the Grand Teton Music Festival, GTMF's national radio broadcast series co-hosted by Music Director Donald Runnicles and Jeff Counts, General Manager of the Festival.
Boston Baroque Publishes Free Resource Library
by Stephi Wild - Jan 28, 2021
Boston Baroque has introduced its Resource Library, a digital archive of performance sources, including program notes written by Boston Baroque Founder and Music Director Martin Pearlman, orchestration charts, and more, for free on its website. With more than 30 composers and 235 musical works, the digital resource is a significant contribution to the early music field.
The Dallas Opera Cancels Spring 2021 Operas, Announces New 2021/2022 Season
by Chloe Rabinowitz - Jan 27, 2021
Ian Derrer, The Dallas Opera’s Kern Wildenthal General Director and CEO, announced today that extreme and ongoing COVID 19 concerns are forcing the company to cancel its March and April 2021 subscription performances, with full-scale operas in the Winspear Opera House resuming in February and March of 2022 in a brand-new 2021/2022 Season.
BWW Interview: Khori Dastoor of THREE DECEMBERS at Opera San Jose Is Up to the Job of Making Art That Is Relevant for Our Times
by Jim Munson - Dec 18, 2020
Talking to Khori Dastoor, General Director of Opera San José brings to mind that old quote from Elizabeth Taylor when she was faced with unimaginable adversity, “Now is the time for guts and guile.” Just one year into her tenure as GD, Dastoor is faced with an almost impossible situation due to the Covid pandemic. Out of all the arts, opera, the artform which she has made her life’s work, arguably has the biggest challenges. After all, the act of singing operatically produces enormous amounts of aerosols, the core audience is older and thus especially at risk for Covid, and the population at large may not consider opera to be essential to their lives. Since creating new works is practically impossible, many GD’s are offering a sort of greatest hits of former glories, video snippets from past years that were already in the can. Or maybe something like a “reading” of an old holiday chestnut like Der Rosenkavalier, presented Brady-Bunch style on Zoom.
So what does Dastoor do instead? She goes bravely programs a brand-new, beautifully-produced production of Jake Heggie’s Three Decembers, starring no less than world-renowned opera star Susan Graham, alongside two of Opera San José’s super-talented Resident Artists, soprano Maya Kherani and baritone Efraín Solis. This immensely moving chamber work is based on an unpublished play by Terrance McNally, adapted by librettist Gene Scheer, and tells the story of a family struggling to connect during the early years of the AIDS pandemic. The work premiered in 2008, yet somehow feels more relevant than ever, given the parallels with what we’re all going through today, as evidenced by McNally’s death from Covid earlier this year. The opera is currently available for streaming through the end of December. For more information or to purchase tickets, visit operasj.org.
BroadwayWorld spoke with Dastoor shortly after the filming of Three Decembers had been completed. Dastoor was remarkably open and forthcoming about the challenges of the opera world right now, even as her passion for growing the artform burns stronger than ever. We talked about how she managed to produce Three Decembers during Covid, her successful earlier career as a lyric soprano, and the imperative to keep the arts alive during these difficult times. Her responses to my questions were invariably thoughtful, often surprising and not without humor. And, as a rare woman of color leading an opera company, her understanding of the need to open up her artform runs deep. Above all, though, she is just plain fun to talk to - effortlessly engaging, whip-smart, emotionally transparent, and without an ounce of pretension.
Charlotte Symphony Announces Winter Season
by Chloe Rabinowitz - Dec 18, 2020
The Charlotte Symphony has announced details for a revised winter season featuring four new virtual concerts, streamed directly from the Knight and Belk Theaters. Highlights include an all-English program and Beethoven’s first and seventh symphonies, conducted by Music Director Christopher Warren-Green, plus much more.
BWW Interview: Efraín Solís of THREE DECEMBERS at Opera San Jose Loves Performing Works That Reflect Who We Are Now
by Jim Munson - Dec 10, 2020
While performing arts organizations around the world are dusting off existing productions of the usual chestnuts during the month of December, Opera San José is taking a more audacious approach with its holiday programming. They are presenting a new, fully-staged production of Jake Heggie’s immensely moving chamber opera, Three Decembers, featuring world-renowned mezzo-soprano Susan Graham in the central role, alongside celebrated Opera San José Resident Artists soprano Maya Kherani and baritone Efraín Solís.
Based on the unpublished play Some Christmas Letters by Tony-winning playwright Terrance McNally, Three Decembers follows the story of a famous actress, Madeline Mitchell, and her two adult children, Beatrice and Charlie over three decades (1986, 1996, and 2006). With a witty and touching libretto by Gene Scheer and a soaring musical score by Jake Heggie, Three Decembers is a 90-minute fullhearted American opera about family – the ones we are born into and those we create. The world-class digital production is offered via on-demand streaming through December 31, 2020. For more information or to purchase tickets, visit operasj.org or call (408) 437-4450.
BroadwayWorld speaks with charismatic baritone Efraín Solís, who plays son Charlie.
Melbourne Opera To Stage Wagner's RING CYCLE
by Stephi Wild - Nov 22, 2020
Following a string of major Wagnerian successes (Rienzi, Tannhauser, Lohengrin, Tristan and Isolde, The Flying Dutchman), Melbourne Opera is thrilled to present the pinnacle of operatic excellence, indulgence and excess - Richard Wagner's Ring Cycle.