Revolució diamantina, performed by the acclaimed chamber choir The Crossing under the direction of Donald Nally, showcases an innovative piece for eight amplified voices and full orchestra by composer Gabriela Ortiz. This work addresses themes of feminism, femicide, and social equality, drawing inspiration from a powerful protest incident in Mexico City. The performance is part of The Crossing's commitment to new music, contributing to a season that reflects on pivotal social issues. Audiences can experience this thought-provoking production at the Boston Symphony Orchestra.
Cirque Goes to the Cinema (9/20/24-9/20/24)
Concert for the City (9/21/24-9/21/24)
Time to Time (9/26/24-9/28/24)
Mahler’s Eighth Symphony (10/4/24-10/6/24)
The Brightness of Light (11/21/24-11/23/24)
Ragtime in Concert (7/8/23-7/8/23)
Sondheim Revue (8/19/22-8/19/22)
Boston Pops in Love (2/12/21-2/12/21)
Anna Rakitina and the Boston Symphony Orchestra (1/28/21-1/28/21)
Uncommon Woman No. 1 and Barber's Adagio for String (12/3/20-12/3/20)
Dvořák's Symphony No. 9, From the New World, and Ives' The Unanswered Questio (11/26/20-11/26/20)
BSO piccolo player Cynthia Meyers and songwriter/performer Najee Janey (11/13/20-11/13/20)
Encore BSO Recitals (11/12/20-11/19/20)
Tim Hall, Bonnie Bewick (11/11/20-11/11/20)
Danny Kim, Ciff Notez &Tim Hall (11/9/20-11/9/20)
Videos
Dirty Dancing In Concert
Keswick Theatre (1/22 - 1/22) | ||
Linda Eder
Keswick Theatre (3/27 - 3/27) | ||
Come From Away (Non-Equity)
Ensemble Arts [Academy Of Music] (2/4 - 2/9) | ||
RUBBERBAND: Reckless Underdog
Penn Live Arts (2/14 - 2/15) | ||
The Half-God of Rainfall
The Wilma Theater (2/11 - 3/2) | ||
Shemekia Copeland
Penn Live Arts (2/7 - 2/7) | ||
Agora de la danse: Koros – VR Experience
Annenberg Center Feintuch Family Lobby (1/24 - 1/26) | ||
Philly GRIT (2025)
Theatre Exile (2/26 - 3/15) | ||
Jesus Christ Superstar
Fulton Theatre (2/14 - 3/9) | ||
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