CARRIE AUDITIONS!!
Sun & Mon - May 19 & 20
7:00-10:30pm
Callback - Thurs 5/23 @ 8:00pm
Clifton Recreation Center
320 McAlpin Ave.
Cincinnati, OH 45220
AUDITIONS ARE BY APPOINTMENT.
WALK-INS WILL BE SEEN AS TIME PERMITS.
To request an audition time slot or to ask a question -
Email michaelshawnstarks@gmail.com or
call 513-251-1055.
Especially looking for YOUNG MEN!!
Audition requirements:
16-32 bars of a song in the Rock/Pop or Contemporary Musical Theater style demonstrating your vocal and dramatic range. No songs in the classic (pre-1960’s) musical theater repertoire. Dress for a short dance audition.
* Those ONLY auditioning for the role of Margaret White may sing from the traditional musical theater canon and will not be required to dance.
ALSO PLEASE PROVIDE THE FOLLOWING:
HEADSHOT/RESUME
CONFLICTS FROM JULY THRU SEPTEMBER
SHEET MUSIC, PROPERLY MARKED WITH CUTS AND IN THE CORRECT KEY. NO A CAPPELLA OR RECORDED ACCOMPANIMENT, AND NO SONGS FROM CARRIE.
For further information - click here
Based on the classic novel by horror master Stephen King, CARRIE: THE MUSICAL has gone unproduced since its notorious 1988 Broadway production. Now, fully revised and re-imagined for a new era, CARRIE hews close to its source material to weave the tale of a bullied and abused teenager who discovers within her the power to strike back.
Carrie White is a friendless misfit. Emotionally abused at home by an overprotective and religiously zealous mother, and mercilessly mocked and taunted at her high school, Carrie has nowhere to turn except within herself; and within her lies a powder keg of preternatural power waiting to be unleashed. After a particularly vicious bullying incident at school, popular girl Sue Snell seeks to make amends, but unwittingly puts into motion a series of events that will haunt the town of Chamberlain, Maine forever.
CARRIE is a musical powerhouse, alternating between kinetic, pop/rock infused turns and soaring grand opera-esque arias by the composing team behind FAME (Michael Gore & Dean Pitchford); and the book, by the screenwriter of the 1976 Brian De Palma film (Lawrence D. Cohen), is an of-the-minute account of extreme religiosity and teenage bullying.
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