1939 Hollywood is abuzz. Legendary producer David O. Selznick has shut down produc-tion of his new epic, Gone with the Wind, a film adaptation of Margaret Mitchell's novel. The screenplay, you see, just doesn't work. So what's an all-powerful movie mogul to do? While fending off the film's stars, gossip columnists and his own father-in-law, Selznick sends a car for famed screenwriter Ben Hecht and pulls formidable director Victor Fleming from the set of The Wizard of Oz. Summoning both to his office, he locks the doors, closes the shades, and on a diet of bananas and peanuts, the three men labor over five days to fashion a screenplay that will become the blueprint for one of the most successful and beloved films of all time.
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Dirty Rotten Scoundrels
Center Stage Theatre (1/31 - 2/2) | ||
Fourteen Funerals
The Purple Rose Theatre Company (2/6 - 3/9) NEW COMEDY | ||
Annie
The Encore Musical Theatre Company (12/5 - 1/12) HOLIDAY SHOW
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Come From Away (Non-Equity)
Fisher Theatre (2/11 - 2/16) | ||
The Book of Mormon
Wharton Center (6/19 - 6/22) | ||
Esther, The Musical
Jewish Theatre Grand Rapids (1/30 - 2/9) | ||
Silent Sky
Muskegon Civic Theatre (1/10 - 1/18) | ||
Life of Pi
Wharton Center [Cobb Great Hall] (3/11 - 3/16) | ||
Crossing Delancey
Birmingham Village Players (1/17 - 2/2) | ||
A Driving Beat
FIM Flint Repertory Theatre (3/14 - 3/30) | ||
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