1939 Hollywood is abuzz. Legendary producer David O. Selznick has shut down produc-tion of his new epic, Gone with the Wind, a film adaptation of Margaret Mitchell’s novel. The screenplay, you see, just doesn’t work. So what’s an all-powerful movie mogul to do? While fending off the film’s stars, gossip columnists and his own father-in-law, Selznick sends a car for famed screenwriter Ben Hecht and pulls formidable director Victor Fleming from the set of The Wizard of Oz. Summoning both to his office, he locks the doors, closes the shades, and on a diet of bananas and peanuts, the three men labor over five days to fashion a screenplay that will become the blueprint for one of the most successful and beloved films of all time.
Videos
Wish You Were Here
South Coast Repertory's Julianne Argyros Stage (1/12 - 2/2) | ||
RACHMANINOFF AND THE TSAR
South Coast Repertory (2/19 - 3/2) | ||
Batiashvili Plays Beethoven
Walt Disney Concert Hall (1/3 - 1/5) | ||
New Year's Eve with D-Nice & Friends
Walt Disney Concert Hall (12/31 - 12/31) | ||
FARM HALL by Katherine Moar
Promenade Playhouse (1/10 - 1/26) NEW PLAY | ||
Cody Fry with Orchestra
Walt Disney Concert Hall (1/10 - 1/10) | ||
Seoul Festival with the LA Phil: Night 1
Walt Disney Concert Hall (6/6 - 6/6) | ||
Harry Potter and the Cursed Child
Pantages Theatre (2/13 - 6/22) | ||
L.A. Chamber Orchestra presents a Baroque Program of Celestials: Mobley + Vivaldi
Wallis Annenberg Center for the Performing Arts (1/11 - 1/12) | ||
Schumann & Brahms
Walt Disney Concert Hall (1/9 - 1/11) | ||
Drat! The Cat!
The Group Rep at the Lonny Chapman Theatre (3/21 - 4/27) | ||
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