JD Glickman
Director
Glickman received his B.F.A. from New York University’s Tisch School of the Arts where he trained at the Circle-in-the-Square Theater Conservatory with Alan Langdon, John Malkovich and Tony Greco and The Michael Chekhov Studio with Beatrice Straight, Mala Powers, Joanna Merlin and Ted Pugh. In addition to his formal studies he continued his training in New York City at The Actors Space with Alan Langdon, The William Esper Studio with Suzanne Esper as well as with Darryl Hickman and Tony Greco in Los Angeles.
Glickman’s director credits include: Pillow Talk by Peter Tolan, Fast Girls, The Bachelor Party, In the Boom Boom Room, True West, Danny and the Deep Blue Sea, A Streetcar Named Desire, The Stone, Extremities, The Odd Couple (women & men version), Angles in America (scene showcase), Fool For Love, The Bitter Tears of Petra Von Kant, The Motherfucker with the Hat, Long Days Journey Into Night (scene showcase, American Buffalo, Barefoot in the Park, Gruesome Playground Injuries, The Glass Menagerie, Spoon River Anthology, Oleanna, The Great God Pan, Equus, Gungfly (original play – end production – co-director), Jean Paul Sartre’s “No Exit” at the Lab Theatre at Randolph College and The Statement and Sex, Shoplifting and Rock & Roll by Claude Solnik at Theatre for the New City, NYC.
Some of Glickman’s notable stage acting credits: NYC, Los Angeles and St. Louis: The Enormous Radio: Jack Tate, The Public Theatre, The Merchant of Venice: Prince of Aragon, Central Park Shakespeare Festival, The Elephant Man: John Merrick, The Actors Space Theatre, Edmond: Customer and Preacher, Chekhov Studio Theatre, In The Boom Boom Room: Al Royce, Chekhov Studio Theatre, True West: Lee, Chekhov Studio Theatre West, A Weekend Near Madison: Jimmy, Chekhov Studio Theatre, See How They Run: Clive Winton, Webster Theatre, Spoon River: Eugene Carman, Chekhov Studio Theatre, Pillow Talk: Aaron, The Gardner Stage, Waiting for Lefty: Dr. Benjamin, Lillian Theatre, The Authorʼs Voice: Todd, 3rd Street Stage, Neighborhood Crime Watch, Ronald, Webster Theatre, Long Days Journey Into Night: Edmund, Chekhov Studio Theatre. Some of his TV and Film credits include, Melrose Place, Models Inc., NYPD Blue, En Pilgrim Död and Last Exit to Brooklyn, Below 30/Above 10,000, Coffee Date, Dark Rider and Rosenberg, which he co-wrote and produced and made it’s US premier at the San Diego Jewish Film Festival. His most recent work includes playing the roll of Frank in the new TV series “How To Make It In Hollywood” as well as Rudolph Hess in the one man play entitled “Hess”.
Glickman is a celebrated teacher and has instructed hundreds of actors the Michael Chekhov work at COCA (St. Louis, MO), Randolph College, Conservatory (Los Angeles, Chicago, St. Louis, Milan, Paris and Stockholm) and at Kulturama and Calle Flygare theatre schools in Stockholm, Sweden. Currently, he runs the Actors Studio Stockholm in Stockholm, Sweden and instructs the work in NYC at his own Conservatory – NYC.