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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
A FREE MAN OF COLOR (VIVIAN BEAUMONT) |
$143,850 | $143,850 | $40 $115 |
3,640 | 8,344 | 8 | 43.60% |
A LITTLE NIGHT MUSIC (WALTER KERR) |
$452,784 | $452,784 | $87 $297 |
5,182 | 7,448 | 8 | 69.60% |
AMERICAN IDIOT (ST. JAMES) |
$539,810 | $539,810 | $81 $250 |
6,706 | 11,963 | 7 | 56.10% |
BILLY ELLIOT: THE MUSICAL (IMPERIAL) |
$1,011,143 | $1,011,143 | $112 $250 |
9,047 | 9,947 | 7 | 91.00% |
BLOODY BLOODY ANDREW JACKSON (JACOBS) |
$501,179 | $501,179 | $72 $190 |
6,955 | 8,240 | 8 | 84.40% |
BRIEF ENCOUNTER (STUDIO 54) |
$244,500 | $244,500 | $57 $127 |
4,302 | 7,014 | 7 | 61.30% |
CHICAGO (AMBASSADOR) |
$512,065 | $512,065 | $88 $185 |
5,802 | 7,560 | 7 | 76.70% |
COLIN QUINN: LONG STORY SHORT (HELEN HAYES) |
$155,816 | $155,816 | $72 $180 |
2,176 | 4,696 | 8 | 46.30% |
DONNY AND MARIE: A BROADWAY CHRISTMAS (MARQUIS) |
$481,812 | $481,812 | $98 $250 |
4,930 | 8,180 | 5 | 60.30% |
DRIVING MISS DAISY (GOLDEN) |
$452,435 | $452,435 | $112 $300 |
4,051 | 5,628 | 7 | 72.00% |
ELF (AL HIRSCHFELD) |
$1,572,836 | $1,572,836 | $134 $352 |
11,736 | 12,816 | 9 | 91.60% |
FELA! (EUGENE O'NEILL) |
$614,835 | $614,835 | $92 $225 |
6,716 | 7,210 | 7 | 93.10% |
IN THE HEIGHTS (RICHARD RODGERS) |
$685,832 | $685,832 | $82 $300 |
8,363 | 10,752 | 8 | 77.80% |
JERSEY BOYS (AUGUST WILSON) |
$1,156,942 | $1,156,942 | $128 $350 |
9,066 | 9,824 | 8 | 92.30% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
LA BETE (MUSIC BOX) |
$184,011 | $184,011 | $64 $300 |
2,879 | 7,049 | 7 | 40.80% |
LA CAGE AUX FOLLES 2010-2011 (LONGACRE) |
$373,855 | $373,855 | $99 $250 |
3,772 | 7,399 | 7 | 51.00% |
LOMBARDI (CIRCLE IN THE SQUARE) |
$228,582 | $228,582 | $61 $200 |
3,738 | 6,320 | 8 | 59.10% |
MAMMA MIA! (WINTER GARDEN) |
$866,804 | $866,804 | $94 $200 |
9,184 | 10,486 | 7 | 87.60% |
MARY POPPINS (NEW AMSTERDAM) |
$1,149,159 | $1,149,159 | $89 $199 |
12,901 | 14,376 | 8 | 89.70% |
MEMPHIS (SHUBERT) |
$782,329 | $782,329 | $94 $250 |
8,310 | 11,760 | 8 | 70.70% |
MILLION DOLLAR QUARTET (NEDERLANDER) |
$370,872 | $370,872 | $85 $250 |
4,375 | 8,498 | 7 | 51.50% |
NEXT TO NORMAL (BOOTH) |
$312,046 | $312,046 | $63 $200 |
4,916 | 6,176 | 8 | 79.60% |
PROMISES PROMISES (BROADWAY) |
$977,274 | $977,274 | $97 $250 |
10,098 | 13,976 | 8 | 72.30% |
RAIN: A TRIBUTE TO THE BEATLES ON BROADWAY (NEIL SIMON) |
$706,360 | $706,360 | $90 $190 |
7,817 | 11,584 | 8 | 67.50% |
ROCK OF AGES (BROOKS ATKINSON) |
$438,042 | $438,042 | $84 $225 |
5,187 | 7,976 | 8 | 65.00% |
SPIDER-MAN TURN OFF THE DARK (FOXWOODS) |
$944,138 | $944,138 | $122 $275 |
7,720 | 7,720 | 4 | 100.00% |
THE ADDAMS FAMILY (LUNT-FONTANNE) |
$1,100,286 | $1,100,286 | $105 $300 |
10,494 | 12,152 | 8 | 86.40% |
THE IMPORTANCE OF BEING EARNEST (AMERICAN AIRLINES) |
$162,716 | $162,716 | $50 $117 |
3,282 | 5,180 | 7 | 63.40% |
THE LION KING (MINSKOFF) |
$1,823,766 | $1,823,766 | $139 $250 |
13,135 | 13,416 | 8 | 97.90% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
THE MERCHANT OF VENICE (BROADHURST) |
$1,099,420 | $1,099,420 | $133 $300 |
8,273 | 8,064 | 7 | 102.60% |
THE PEE-WEE HERMAN SHOW (STEPHEN SONDHEIM) |
$535,387 | $535,387 | $101 $225 |
5,288 | 7,385 | 7 | 71.60% |
THE PHANTOM OF THE OPERA (MAJESTIC) |
$1,028,037 | $1,028,037 | $100 $200 |
10,330 | 12,920 | 8 | 80.00% |
TIME STANDS STILL (CORT) |
$117,962 | $117,962 | $74 $250 |
1,585 | 2,158 | 2 | 73.40% |
West Side Story 2009-2011 (PALACE) |
$871,951 | $871,951 | $88 $300 |
9,950 | 13,576 | 8 | 73.30% |
WICKED (GERSHWIN) |
$2,153,110 | $2,153,110 | $149 $300 |
14,472 | 14,472 | 8 | 100.00% |
WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN (BELASCO) |
$241,849 | $241,849 | $64 $125 |
3,756 | 7,760 | 8 | 48.40% |
TOTAL | $24,993,795 | $694,272 | $99.92 $236.86 |
250,134 | 330,025 | 263 | 75.79% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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