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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
ALADDIN (NEW AMSTERDAM) |
$1,258,572 | $1,258,572 | $95 $228 |
13,216 | 13,816 | 8 | 95.70% |
AMERICAN SON (BOOTH) |
$421,752 | $421,752 | $84 $248 |
4,999 | 6,192 | 8 | 80.70% |
ANASTASIA (BROADHURST) |
$746,075 | $746,075 | $92 $273 |
8,108 | 9,144 | 8 | 88.70% |
BEAUTIFUL (STEPHEN SONDHEIM) |
$666,169 | $666,169 | $92 $247 |
7,237 | 8,208 | 8 | 88.20% |
BERNHARDT/HAMLET (AMERICAN AIRLINES) |
$373,036 | $373,036 | $81 $250 |
4,625 | 5,888 | 8 | 78.50% |
CHICAGO (AMBASSADOR) |
$722,270 | $722,270 | $90 $207 |
8,011 | 8,640 | 8 | 92.70% |
COME FROM AWAY (SCHOENFELD) |
$1,023,781 | $1,023,781 | $121 $297 |
8,492 | 8,368 | 8 | 101.50% |
DEAR EVAN HANSEN (MUSIC BOX) |
$1,407,880 | $1,407,880 | $176 $448 |
7,980 | 7,872 | 8 | 101.40% |
FROZEN (ST. JAMES) |
$1,299,259 | $1,299,259 | $105 $325 |
12,353 | 13,472 | 8 | 91.70% |
HAMILTON (RICHARD RODGERS) |
$2,824,675 | $2,824,675 | $263 $849 |
10,734 | 10,568 | 8 | 101.60% |
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO (LYRIC) |
$2,054,953 | $2,054,953 | $158 $297 |
12,976 | 12,976 | 8 | 100.00% |
HEAD OVER HEELS (HUDSON) |
$185,776 | $185,776 | $63 $258 |
2,956 | 7,704 | 8 | 38.40% |
KING KONG (BROADWAY) |
$674,934 | $674,934 | $68 $347 |
9,906 | 10,428 | 6 | 95.00% |
KINKY BOOTS (AL HIRSCHFELD) |
$623,961 | $623,961 | $95 $249 |
6,602 | 9,968 | 7 | 66.20% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
MEAN GIRLS (AUGUST WILSON) |
$1,246,467 | $1,246,467 | $131 $300 |
9,509 | 9,800 | 8 | 97.00% |
MY FAIR LADY (VIVIAN BEAUMONT) |
$981,958 | $981,958 | $129 $323 |
7,615 | 8,552 | 8 | 89.00% |
ONCE ON THIS ISLAND (CIRCLE IN THE SQUARE) |
$358,879 | $358,879 | $72 $250 |
5,010 | 5,568 | 8 | 90.00% |
PRETTY WOMAN: THE MUSICAL (NEDERLANDER) |
$1,065,416 | $1,065,416 | $122 $275 |
8,766 | 9,344 | 8 | 93.80% |
SCHOOL OF ROCK (WINTER GARDEN) |
$663,759 | $663,759 | $83 $223 |
7,998 | 12,184 | 8 | 65.60% |
SPRINGSTEEN ON BROADWAY (WALTER KERR) |
$2,424,880 | $2,424,880 | $512 $850 |
4,740 | 4,740 | 5 | 100.00% |
SUMMER (LUNT-FONTANNE) |
$569,903 | $569,903 | $88 $297 |
6,463 | 11,760 | 8 | 55.00% |
THE BAND'S VISIT (ETHEL BARRYMORE) |
$754,550 | $754,550 | $104 $247 |
7,262 | 8,312 | 8 | 87.40% |
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,100,964 | $1,100,964 | $128 $478 |
8,614 | 8,376 | 8 | 102.80% |
THE CHER SHOW (NEIL SIMON) |
$495,489 | $495,489 | $123 $247 |
4,017 | 4,140 | 3 | 97.00% |
THE FERRYMAN (JACOBS) |
$919,930 | $919,930 | $120 $297 |
7,691 | 8,152 | 8 | 94.30% |
THE LIFESPAN OF A FACT (STUDIO 54) |
$884,145 | $884,145 | $132 $247 |
6,713 | 8,032 | 8 | 83.60% |
THE LION KING (MINSKOFF) |
$2,090,669 | $2,090,669 | $154 $225 |
13,537 | 13,568 | 8 | 99.80% |
THE NAP (FRIEDMAN) |
$176,182 | $176,182 | $49 $199 |
3,610 | 5,144 | 8 | 70.20% |
THE NEW ONE (CORT) |
$191,614 | $191,614 | $39 $223 |
4,941 | 8,584 | 8 | 57.60% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
THE PHANTOM OF THE OPERA (MAJESTIC) |
$930,637 | $930,637 | $85 $213 |
10,906 | 12,840 | 8 | 84.90% |
THE PLAY THAT GOES WRONG (LYCEUM) |
$226,490 | $226,490 | $57 $197 |
3,959 | 6,832 | 8 | 57.90% |
THE PROM (LONGACRE) |
$316,384 | $316,384 | $49 $247 |
6,484 | 7,112 | 7 | 91.20% |
THE WAVERLY GALLERY (GOLDEN) |
$451,689 | $451,689 | $83 $273 |
5,445 | 6,296 | 8 | 86.50% |
TO KILL A MOCKINGBIRD (SHUBERT) |
$520,357 | $520,357 | $120 $273 |
4,321 | 4,311 | 3 | 100.20% |
TORCH SONG (HAYES) |
$213,342 | $213,342 | $49 $248 |
4,387 | 4,680 | 8 | 93.70% |
WAITRESS (BROOKS ATKINSON) |
$535,899 | $535,899 | $93 $270 |
5,778 | 8,360 | 8 | 69.10% |
WICKED (GERSHWIN) |
$1,676,014 | $1,676,014 | $124 $240 |
13,508 | 14,456 | 8 | 93.40% |
TOTAL | $33,078,712 | $894,019 | $118.36 $301.69 |
279,469 | 324,387 | 279 | 86.15% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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