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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
A FREE MAN OF COLOR (VIVIAN BEAUMONT) |
$276,154 | $276,154 | $48 $105 |
5,742 | 8,344 | 8 | 68.80% |
A LIFE IN THE THEATRE (SCHOENFELD) |
$218,150 | $218,150 | $65 $250 |
3,370 | 8,568 | 8 | 39.30% |
A LITTLE NIGHT MUSIC (WALTER KERR) |
$512,847 | $512,847 | $93 $297 |
5,514 | 7,448 | 8 | 74.00% |
AMERICAN IDIOT (ST. JAMES) |
$383,025 | $383,025 | $65 $250 |
5,885 | 13,672 | 8 | 43.00% |
BILLY ELLIOT: THE MUSICAL (IMPERIAL) |
$959,364 | $959,364 | $92 $250 |
10,451 | 11,368 | 8 | 91.90% |
BLOODY BLOODY ANDREW JACKSON (JACOBS) |
$313,668 | $313,668 | $62 $190 |
5,075 | 8,240 | 8 | 61.60% |
BRIEF ENCOUNTER (STUDIO 54) |
$357,901 | $357,901 | $60 $127 |
5,999 | 8,016 | 8 | 74.80% |
CHICAGO (AMBASSADOR) |
$428,321 | $428,321 | $72 $185 |
5,918 | 8,640 | 8 | 68.50% |
COLIN QUINN: LONG STORY SHORT (HELEN HAYES) |
$81,219 | $81,219 | $61 $150 |
1,340 | 4,696 | 8 | 28.50% |
DRIVING MISS DAISY (GOLDEN) |
$631,057 | $631,057 | $103 $300 |
6,121 | 6,432 | 8 | 95.20% |
FELA! (EUGENE O'NEILL) |
$491,159 | $491,159 | $78 $225 |
6,286 | 8,240 | 8 | 76.30% |
IN THE HEIGHTS (RICHARD RODGERS) |
$429,936 | $429,936 | $65 $300 |
6,635 | 10,752 | 8 | 61.70% |
JERSEY BOYS (AUGUST WILSON) |
$1,011,799 | $1,011,799 | $108 $350 |
9,400 | 9,824 | 8 | 95.70% |
LA BETE (MUSIC BOX) |
$277,989 | $277,989 | $65 $300 |
4,256 | 8,056 | 8 | 52.80% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
LA CAGE AUX FOLLES 2010-2011 (LONGACRE) |
$376,082 | $376,082 | $83 $250 |
4,528 | 8,456 | 8 | 53.50% |
LOMBARDI (CIRCLE IN THE SQUARE) |
$290,188 | $290,188 | $57 $200 |
5,128 | 6,320 | 8 | 81.10% |
MAMMA MIA! (WINTER GARDEN) |
$784,309 | $784,309 | $86 $200 |
9,082 | 11,984 | 8 | 75.80% |
MARY POPPINS (NEW AMSTERDAM) |
$602,619 | $602,619 | $70 $162 |
8,618 | 14,376 | 8 | 59.90% |
MEMPHIS (SHUBERT) |
$735,850 | $735,850 | $89 $250 |
8,229 | 11,760 | 8 | 70.00% |
MILLION DOLLAR QUARTET (NEDERLANDER) |
$367,149 | $367,149 | $74 $250 |
4,930 | 9,712 | 8 | 50.80% |
MRS. WARREN'S PROFESSION (AMERICAN AIRLINES) |
$238,874 | $238,874 | $59 $117 |
4,041 | 5,920 | 8 | 68.30% |
NEXT TO NORMAL (BOOTH) |
$206,297 | $206,297 | $54 $200 |
3,852 | 6,176 | 8 | 62.40% |
PROMISES PROMISES (BROADWAY) |
$839,883 | $839,883 | $89 $250 |
9,482 | 13,976 | 8 | 67.80% |
RAIN: A TRIBUTE TO THE BEATLES ON BROADWAY (NEIL SIMON) |
$511,907 | $511,907 | $60 $190 |
8,537 | 11,584 | 8 | 73.70% |
ROCK OF AGES (BROOKS ATKINSON) |
$384,193 | $384,193 | $67 $225 |
5,714 | 7,976 | 8 | 71.60% |
THE ADDAMS FAMILY (LUNT-FONTANNE) |
$919,901 | $919,901 | $95 $300 |
9,645 | 12,152 | 8 | 79.40% |
THE LION KING (MINSKOFF) |
$1,259,380 | $1,259,380 | $107 $250 |
11,825 | 13,416 | 8 | 88.10% |
THE MERCHANT OF VENICE (BROADHURST) |
$1,071,949 | $1,071,949 | $134 $300 |
8,003 | 8,064 | 7 | 99.20% |
THE PEE-WEE HERMAN SHOW (STEPHEN SONDHEIM) |
$608,450 | $608,450 | $103 $225 |
5,908 | 8,440 | 8 | 70.00% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
THE PHANTOM OF THE OPERA (MAJESTIC) |
$682,607 | $682,607 | $74 $200 |
9,230 | 12,920 | 8 | 71.40% |
THE PITMEN PAINTERS (FRIEDMAN) |
$220,649 | $220,649 | $62 $121 |
3,578 | 5,200 | 8 | 68.80% |
THE SCOTTSBORO BOYS (LYCEUM) |
$220,818 | $220,818 | $38 $250 |
5,833 | 7,200 | 8 | 81.00% |
TIME STANDS STILL (CORT) |
$389,784 | $389,784 | $82 $250 |
4,730 | 8,632 | 8 | 54.80% |
West Side Story 2009-2011 (PALACE) |
$671,924 | $671,924 | $72 $300 |
9,379 | 13,576 | 8 | 69.10% |
WICKED (GERSHWIN) |
$1,541,013 | $1,541,013 | $106 $300 |
14,472 | 14,472 | 8 | 100.00% |
WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN (BELASCO) |
$399,011 | $399,011 | $54 $115 |
7,357 | 8,016 | 8 | 91.80% |
TOTAL | $19,695,426 | $547,095 | $80.69 $227.32 |
244,093 | 342,624 | 287 | 71.24% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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