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Broadway Grosses by Year - 2002 for Week 4


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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.

SHOW Total Gross Avg. Gross Avg / Top Ticket Seats
Sold 		Total
Seats		 Perf. Avg. %
42ND STREET
(FORD CENTER) 		$727,363 $727,363 $65
$100		 11,147 14,504 8 76.90%
AIDA
(PALACE) 		$714,851 $714,851 $64
$90		 11,140 13,560 8 82.20%
AN ALMOST HOLY PICTURE
(AMERICAN AIRLINES) 		$199,167 $199,167 $44
$65		 4,531 5,920 8 76.50%
BARBARA COOK: MOSTLY SONDHEIM
(VIVIAN BEAUMONT) 		$81,966 $81,966 $41
$60		 2,003 2,134 2 93.90%
BEAUTY AND THE BEAST
(LUNT-FONTANNE) 		$533,705 $533,705 $49
$85		 10,913 12,072 8 90.40%
CABARET
(STUDIO 54) 		$381,221 $381,221 $54
$90		 7,033 7,360 8 95.60%
CHICAGO
(SHUBERT) 		$448,488 $448,488 $53
$90		 8,432 11,680 8 72.20%
CONTACT
(VIVIAN BEAUMONT) 		$388,821 $388,821 $52
$85		 7,467 8,536 8 87.50%
LES MISÉRABLES - ORIGINAL
(IMPERIAL) 		$346,684 $346,684 $46
$85		 7,535 11,336 8 66.50%
MAMMA MIA!
(WINTER GARDEN) 		$1,010,114 $1,010,114 $85
$100		 11,937 11,984 8 99.60%
NOISES OFF
(BROOKS ATKINSON) 		$411,063 $411,063 $58
$75		 7,140 8,408 8 84.90%
PROOF
(WALTER KERR) 		$299,298 $299,298 $48
$70		 6,189 7,392 8 83.70%
RENT
(NEDERLANDER) 		$349,880 $349,880 $49
$80		 7,182 9,448 8 76.00%
Sexaholix 2001-2002
(ROYALE) 		$338,032 $338,032 $48
$76		 7,005 7,518 7 93.20%
SHOW Total Gross Avg. Gross Avg / Top Ticket Seats
Sold 		Total
Seats		 Perf. Avg. %
THE LION KING
(NEW AMSTERDAM) 		$1,058,307 $1,058,307 $73
$90		 14,523 14,344 8 101.20%
THE PHANTOM OF THE OPERA
(MAJESTIC) 		$462,558 $462,558 $50
$85		 9,236 12,856 8 71.80%
THE PRODUCERS
(ST. JAMES) 		$1,252,479 $1,252,479 $91
$480		 13,772 13,648 8 100.90%
THE TALE OF THE ALLERGIST'S WIFE
(ETHEL BARRYMORE) 		$295,783 $295,783 $46
$70		 6,432 8,368 8 76.90%
URINETOWN
(HENRY MILLER) 		$325,489 $325,489 $70
$85		 4,646 5,048 8 92.00%
TOTAL $9,625,269 $506,593 $60.82
$103.22		 158,263 186,116 145 85.03%


Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..

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