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Broadway Grosses by Year - 2003 for Week 36


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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.

SHOW Total Gross Avg. Gross Avg / Top Ticket Seats
Sold 		Total
Seats		 Perf. Avg. %
42ND STREET
(FORD CENTER) 		$429,319 $429,319 $54
$101		 8,007 14,504 8 55.20%
AIDA
(PALACE) 		$533,232 $533,232 $56
$180		 9,585 13,560 8 70.70%
AVENUE Q
(Golden) 		$288,747 $288,747 $63
$91		 4,596 6,368 8 72.20%
BEAUTY AND THE BEAST
(LUNT-FONTANNE) 		$293,113 $293,113 $46
$95		 6,396 12,072 8 53.00%
BIG RIVER
(AMERICAN AIRLINES) 		$247,443 $247,443 $48
$91		 5,205 5,824 8 89.40%
CABARET
(STUDIO 54) 		$302,614 $302,614 $51
$180		 5,892 7,360 8 80.10%
CHICAGO
(AMBASSADOR) 		$544,785 $544,785 $70
$240		 7,745 8,640 8 89.60%
GYPSY 2003-2004
(SHUBERT) 		$546,201 $546,201 $71
$101		 7,687 11,576 8 66.40%
HAIRSPRAY
(NEIL SIMON) 		$979,470 $979,470 $86
$360		 11,343 11,424 8 99.30%
LITTLE SHOP OF HORRORS
(VIRGINIA) 		$405,128 $405,128 $48
$96		 8,431 9,680 8 87.10%
MAMMA MIA!
(CADILLAC WINTER G) 		$834,776 $834,776 $80
$100		 10,481 11,984 8 87.50%
MOVIN' OUT
(RICHARD RODGERS) 		$524,836 $524,836 $68
$240		 7,712 10,576 8 72.90%
RENT
(NEDERLANDER) 		$213,249 $213,249 $47
$180		 4,504 9,448 8 47.70%
TAKE ME OUT
(WALTER KERR) 		$210,039 $210,039 $48
$80		 4,349 7,360 8 59.10%
SHOW Total Gross Avg. Gross Avg / Top Ticket Seats
Sold 		Total
Seats		 Perf. Avg. %
THE LION KING
(NEW AMSTERDAM) 		$995,280 $995,280 $77
$240		 12,921 14,344 8 90.10%
THE PHANTOM OF THE OPERA
(MAJESTIC) 		$406,446 $406,446 $56
$100		 7,278 12,856 8 56.60%
THE PRODUCERS
(ST. JAMES) 		$687,384 $687,384 $82
$480		 8,362 13,648 8 61.30%
THOROUGHLY MODERN MILLIE
(MARQUIS) 		$352,696 $352,696 $55
$240		 6,422 12,624 8 50.90%
URINETOWN
(HENRY MILLER) 		$172,209 $172,209 $54
$95		 3,190 5,048 8 63.20%
TOTAL $8,966,967 $471,946 $64.00
$173.21		 140,106 198,896 152 70.44%


Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..

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