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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
A BRONX TALE THE MUSICAL (LONGACRE) |
$618,139 | $618,139 | $84 $225 |
7,376 | 8,352 | 8 | 88.30% |
|
ALADDIN (NEW AMSTERDAM) |
$1,368,043 | $1,368,043 | $100 $216 |
13,676 | 13,816 | 8 | 99.00% |
|
ANASTASIA (BROADHURST) |
$820,491 | $820,491 | $99 $273 |
8,265 | 9,144 | 8 | 90.40% |
|
ANGELS IN AMERICA (NEIL SIMON) |
$924,352 | $924,352 | $102 $247 |
9,063 | 9,954 | 7 | 91.00% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$779,160 | $779,160 | $109 $247 |
7,169 | 8,208 | 8 | 87.30% |
|
CAROUSEL (IMPERIAL) |
$1,179,807 | $1,179,807 | $111 $323 |
10,649 | 11,424 | 8 | 93.20% |
|
CHICAGO (AMBASSADOR) |
$762,135 | $762,135 | $89 $187 |
8,541 | 8,640 | 8 | 98.90% |
|
CHILDREN OF A LESSER GOD (STUDIO 54) |
$411,261 | $411,261 | $58 $247 |
7,121 | 8,032 | 8 | 88.70% |
|
COME FROM AWAY (SCHOENFELD) |
$1,208,987 | $1,208,987 | $142 $347 |
8,539 | 8,368 | 8 | 102.00% |
|
DEAR EVAN HANSEN (MUSIC BOX) |
$1,716,700 | $1,716,700 | $215 $448 |
7,993 | 7,872 | 8 | 101.50% |
|
ESCAPE TO MARGARITAVILLE (MARQUIS) |
$687,680 | $687,680 | $93 $247 |
7,412 | 13,008 | 8 | 57.00% |
|
FROZEN (ST. JAMES) |
$1,696,443 | $1,696,443 | $128 $297 |
13,256 | 13,440 | 8 | 98.60% |
|
HAMILTON (RICHARD RODGERS) |
$3,120,832 | $3,120,832 | $290 $849 |
10,754 | 10,568 | 8 | 101.80% |
|
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO (LYRIC) |
$1,993,068 | $1,993,068 | $154 $297 |
12,976 | 12,976 | 8 | 100.00% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
HELLO, DOLLY! (SHUBERT) |
$1,037,453 | $1,037,453 | $94 $297 |
11,000 | 11,568 | 8 | 95.10% |
|
KINKY BOOTS (AL HIRSCHFELD) |
$762,831 | $762,831 | $88 $249 |
8,657 | 11,392 | 8 | 76.00% |
|
MEAN GIRLS (AUGUST WILSON) |
$1,489,149 | $1,489,149 | $151 $378 |
9,888 | 9,800 | 8 | 100.90% |
|
MY FAIR LADY (VIVIAN BEAUMONT) |
$1,013,394 | $1,013,394 | $119 $323 |
8,552 | 8,552 | 8 | 100.00% |
|
ONCE ON THIS ISLAND (CIRCLE IN THE SQUARE) |
$513,582 | $513,582 | $91 $250 |
5,623 | 5,568 | 8 | 101.00% |
|
SAINT JOAN (FRIEDMAN) |
$227,974 | $227,974 | $59 $199 |
3,866 | 5,176 | 8 | 74.70% |
|
SCHOOL OF ROCK (WINTER GARDEN) |
$761,715 | $761,715 | $83 $223 |
9,221 | 12,184 | 8 | 75.70% |
|
SPONGEBOB SQUAREPANTS (PALACE) |
$730,325 | $730,325 | $66 $248 |
11,072 | 12,880 | 8 | 86.00% |
|
SPRINGSTEEN ON BROADWAY (WALTER KERR) |
$1,931,445 | $1,931,445 | $509 $850 |
3,792 | 3,792 | 4 | 100.00% |
|
SUMMER (LUNT-FONTANNE) |
$1,160,299 | $1,160,299 | $105 $197 |
11,095 | 11,760 | 8 | 94.30% |
|
THE BAND'S VISIT (ETHEL BARRYMORE) |
$867,629 | $867,629 | $104 $247 |
8,310 | 8,312 | 8 | 100.00% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,206,994 | $1,206,994 | $139 $478 |
8,663 | 8,376 | 8 | 103.40% |
|
THE BOYS IN THE BAND (BOOTH) |
$1,035,583 | $1,035,583 | $166 $397 |
6,235 | 6,192 | 8 | 100.70% |
|
THE ICEMAN COMETH (JACOBS) |
$1,093,913 | $1,093,913 | $149 $397 |
7,345 | 7,378 | 7 | 99.60% |
|
THE LION KING (MINSKOFF) |
$2,141,255 | $2,141,255 | $158 $225 |
13,554 | 13,568 | 8 | 99.90% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$1,187,606 | $1,187,606 | $92 $213 |
12,851 | 12,840 | 8 | 100.10% |
|
THE PLAY THAT GOES WRONG (LYCEUM) |
$337,481 | $337,481 | $65 $197 |
5,168 | 6,832 | 8 | 75.60% |
|
THREE TALL WOMEN (GOLDEN) |
$908,569 | $908,569 | $144 $373 |
6,296 | 6,296 | 8 | 100.00% |
|
TRAVESTIES (AMERICAN AIRLINES) |
$418,868 | $418,868 | $90 $250 |
4,649 | 5,816 | 8 | 79.90% |
|
WAITRESS (BROOKS ATKINSON) |
$950,504 | $950,504 | $119 $270 |
7,992 | 8,360 | 8 | 95.60% |
|
WICKED (GERSHWIN) |
$1,749,587 | $1,749,587 | $117 $240 |
14,963 | 15,408 | 8 | 97.10% |
| TOTAL | $38,813,254 | $1,108,950 | $124.57 $312.81 |
311,582 | 335,852 | 274 | 92.77% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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