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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
A BRONX TALE THE MUSICAL (LONGACRE) |
$804,779 | $804,779 | $105 $275 |
7,644 | 8,352 | 8 | 91.50% |
|
A DOLL'S HOUSE, PART 2 (GOLDEN) |
$303,665 | $303,665 | $54 $273 |
5,611 | 6,200 | 8 | 90.50% |
|
ALADDIN (NEW AMSTERDAM) |
$1,374,718 | $1,374,718 | $104 $228 |
13,273 | 13,816 | 8 | 96.10% |
|
AMÉLIE (WALTER KERR) |
$396,905 | $396,905 | $73 $273 |
5,466 | 7,416 | 8 | 73.70% |
|
ANASTASIA (BROADHURST) |
$1,089,680 | $1,089,680 | $120 $350 |
9,114 | 9,144 | 8 | 99.70% |
|
BANDSTAND (JACOBS) |
$568,249 | $568,249 | $92 $227 |
6,183 | 8,264 | 8 | 74.80% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$954,528 | $954,528 | $120 $249 |
7,961 | 8,208 | 8 | 97.00% |
|
CATS (NEIL SIMON) |
$730,829 | $730,829 | $87 $197 |
8,396 | 11,000 | 8 | 76.30% |
|
CHARLIE AND THE CHOCOLATE FACTORY (LUNT-FONTANNE) |
$1,157,981 | $1,157,981 | $104 $233 |
11,177 | 11,968 | 8 | 93.40% |
|
CHICAGO (AMBASSADOR) |
$591,373 | $591,373 | $84 $187 |
7,030 | 8,640 | 8 | 81.40% |
|
COME FROM AWAY (SCHOENFELD) |
$1,127,850 | $1,127,850 | $132 $297 |
8,527 | 8,368 | 8 | 101.90% |
|
DEAR EVAN HANSEN (MUSIC BOX) |
$1,281,329 | $1,281,329 | $160 $397 |
7,998 | 7,872 | 8 | 101.60% |
|
GROUNDHOG DAY (AUGUST WILSON) |
$926,868 | $926,868 | $104 $375 |
8,945 | 9,824 | 8 | 91.10% |
|
HAMILTON (RICHARD RODGERS) |
$2,823,183 | $2,823,183 | $263 $849 |
10,734 | 10,568 | 8 | 101.60% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
HELLO, DOLLY! (SHUBERT) |
$1,905,569 | $1,905,569 | $186 $748 |
10,269 | 10,122 | 7 | 101.50% |
|
INDECENT (CORT) |
$255,289 | $255,289 | $55 $197 |
4,603 | 8,584 | 8 | 53.60% |
|
KINKY BOOTS (AL HIRSCHFELD) |
$715,600 | $715,600 | $91 $249 |
7,868 | 11,392 | 8 | 69.10% |
|
MISS SAIGON (BROADWAY) |
$891,184 | $891,184 | $89 $248 |
9,989 | 13,896 | 8 | 71.90% |
|
NATASHA, PIERRE & THE GREAT COMET OF 1812 (IMPERIAL) |
$1,177,329 | $1,177,329 | $131 $267 |
8,964 | 9,104 | 8 | 98.50% |
|
ON YOUR FEET! (MARQUIS) |
$754,441 | $754,441 | $87 $199 |
8,671 | 13,008 | 8 | 66.70% |
|
OSLO (VIVIAN BEAUMONT) |
$661,485 | $661,485 | $89 $223 |
7,426 | 8,376 | 8 | 88.70% |
|
PRESENT LAUGHTER (ST. JAMES) |
$853,434 | $853,434 | $93 $350 |
9,146 | 11,176 | 8 | 81.80% |
|
SCHOOL OF ROCK (WINTER GARDEN) |
$809,793 | $809,793 | $91 $248 |
8,894 | 12,184 | 8 | 73.00% |
|
SIX DEGREES OF SEPARATION (ETHEL BARRYMORE) |
$390,243 | $390,243 | $77 $197 |
5,084 | 8,416 | 8 | 60.40% |
|
SUNSET BOULEVARD (PALACE) |
$1,127,634 | $1,127,634 | $125 $297 |
9,046 | 11,753 | 7 | 77.00% |
|
SWEAT (STUDIO 54) |
$355,923 | $355,923 | $74 $199 |
4,840 | 5,272 | 8 | 91.80% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,225,118 | $1,225,118 | $141 $477 |
8,699 | 8,528 | 8 | 102.00% |
|
THE GLASS MENAGERIE (BELASCO) |
$281,587 | $281,587 | $53 $273 |
5,288 | 7,944 | 8 | 66.60% |
|
THE LION KING (MINSKOFF) |
$1,638,506 | $1,638,506 | $139 $225 |
11,758 | 13,568 | 8 | 86.70% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE LITTLE FOXES (FRIEDMAN) |
$472,465 | $472,465 | $94 $179 |
5,016 | 5,200 | 8 | 96.50% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$957,171 | $957,171 | $85 $203 |
11,246 | 12,840 | 8 | 87.60% |
|
THE PLAY THAT GOES WRONG (LYCEUM) |
$384,273 | $384,273 | $72 $197 |
5,349 | 6,832 | 8 | 78.30% |
|
THE PRICE (AMERICAN AIRLINES) |
$773,910 | $773,910 | $129 $250 |
5,990 | 5,920 | 8 | 101.20% |
|
WAITRESS (BROOKS ATKINSON) |
$1,255,894 | $1,255,894 | $152 $270 |
8,255 | 8,360 | 8 | 98.70% |
|
WAR PAINT (NEDERLANDER) |
$943,297 | $943,297 | $111 $248 |
8,516 | 9,344 | 8 | 91.10% |
|
WICKED (GERSHWIN) |
$1,641,456 | $1,641,456 | $117 $240 |
14,031 | 14,456 | 8 | 97.10% |
| TOTAL | $33,603,538 | $933,432 | $113.14 $288.71 |
297,007 | 345,915 | 286 | 85.86% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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